Tune details
Music: Paul Durand
Words: Rose Noël, Jean Casanova
Published / composed: 1941
Original key: Not established
Study level: Intermediate lyrical playing
A French song with a striking chromatic dominant beside the major tonic. Its restrained melody gives the accompanist room to colour the harmony without crowding the singer-like phrasing.
Hear B7 return to C through semitone voice leading.

Owner content reviewed — 2026-10-05T18:25:51Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.
Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.
Django Reinhardt
source-described; accuracy not independently verified
Uploader identifies this as Django Reinhardt’s performance; recording date and take require comparison with the discography.
| Entry | Year | Recording / session / release evidence | Listen |
|---|---|---|---|
| 01 | 1942 | Seul Ce Soir, 31/3/42, 16195,"Fremeaux FA 311, Classics 877, Verve 513 947-2, Music Memoria 87949-2, HEP 1041", Brussels - Django Reinhardt et Son Grand Orchestre | — |
A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.
The song is credited to Paul Durand, Rose Noël and Jean Casanova and is generally dated 1941. Djangopedia lists a Brussels recording on 31 March 1942. The old page includes both a C-major chart and a G-major version labelled for Tchavolo; they are alternatives, not consecutive sections.
Music: Paul Durand
Words: Rose Noël, Jean Casanova
Published / composed: 1941
Original key: Not established
Study level: Intermediate lyrical playing
Listening task: Let repeated tonic phrases change in dynamics rather than speed. Count the head before comparing solo choruses.
Seul Ce Soir, 31/3/42, 16195,"Fremeaux FA 311, Classics 877, Verve 513 947-2, Music Memoria 87949-2, HEP 1041", Brussels - Django Reinhardt et Son Grand Orchestre
Count its form and check its key before joining in. In C, the opening alternates C and B7 before A7 reaches Dm. G7 reconnects home. The later close moves through Dm, F, Em and A7 before the final ii–V.
In C, the opening alternates C and B7 before A7 reaches Dm. G7 reconnects home. The later close moves through Dm, F, Em and A7 before the final ii–V.
The two grids are separate 32-bar versions: C major, then a G-major chart labelled Tchavolo in the source. Play one complete version; do not join them into 64 bars.
[[Image:Seul.gif]] | C/// | C/// | B7/// | B7/// | C/// | C/// | A7/// | A7/// | | Dm/// | G7/// | C/// | Am/// | B7/// | B7/// | Dm/// | G7/// | | C/// | C/// | B7/// | B7/// | C/// | C/// | A7/// | A7/// | | Dm/// | F/// | Em/// | A7/// | Dm/// | G7/// | C/// | C/// | tchavolo version: | G/// | G/// | F#7/// | F#7/// | G/// | G/// | E7/// | E7/// | | Am/// | D7/// | G/// | Em/// | F#7/// | F#7/// | Am/// | D7/// | | G/// | G/// | F#7/// | F#7/// | G/// | G/// | E7/// | E7/// | | Am/// | C/// | Bm/// | E7/// | Am/// | D7/// | G/// | G/// |Original source ↗
Guitare Improvisation
4:57
If playback is unavailable, use the source link.
Seul ce soir (110 bpm) - Gypsy jazz Backing track / Jazz manoucheGuitare Improvisation4:57✓ Featured
Je Suis Seul ce Soir - Playback jazz manouche - Gypsy jazz backing track / play alongClément Reboul7:13Select video
Gypsy Jazz Backing Track / Play Along - Seul Ce SoirStudy Gypsy Jazz3:30Select video
Seul Ce Soir - Gypsy Jazz Play AlongSven Jungbeck4:20Select videoPerformed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.
Tessa Spaaij
source-described; accuracy not independently verified
Creator presents a study of Django’s recorded solo. Use it alongside the original recording; exact transcription accuracy has not been independently reviewed.
If playback is unavailable, use the source link.
Follow a shared key, a harmonic idea or a familiar form. Keys refer to this site’s chart editions; other recordings may use a different key.
No sufficiently supported harmonic comparison has been added yet.
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Django stands at the edge of a broad empty room, guitar on its stand behind him; a single pale line bends close to a dark neighbouring plane and returns. Restrained solitude and semitone return reflect Seul Ce Soir without reproducing the photograph.
An original editorial interpretation of the tune. This is an illustration, not an archival photograph or a documented reconstruction of a recording session.
Original Djangopedia illustration · AI-assisted, 2026
Illustration credits & provenance →Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.
Joscho Stephan Quartet featuring Matthias Strucken · Joscho Stephan
Quartet performance with vibraphone · Watch title, source description and available positive-duration player checked 2026-10-05; independent performance; owner accuracy not independently verified.
Vibraphone, lead/rhythm guitars and bass; separate instrumental solos.
If playback is unavailable, use the source link.
Django Reinhardt's "Seul Ce Soir" // Joscho Stephan QuartetJoscho Stephan Quartet featuring Matthias Strucken · Joscho StephanQuartet performance with vibraphone · Watch title, source description and available positive-duration player checked 2026-10-05; independent performance; owner accuracy not independently verified.Vibraphone, lead/rhythm guitars and bass; separate instrumental solos.✓ Featured
Olli Soikkeli’s Gypsy Jazz Journeys: Paulus SchäferOlli Soikkeli, Paulus Schäfer · Olli SoikkeliGypsy Jazz Journeys; Gerwen, Netherlands · Watch title, source description and available positive-duration player checked 2026-10-05; independent performance; owner accuracy not independently verified.Guitar duet; description explicitly identifies Seul Ce Soir.Select video
Sven Jungbeck Invites | Paulus Schäfer | Seul ce SoirSven Jungbeck, Paulus Schäfer · Sven JungbeckSven Jungbeck Invites concert · Watch title, source description and available positive-duration player checked 2026-10-05; independent performance; owner accuracy not independently verified.Separate concert reading; premiere date is not treated as performance year.Select video
Django Forever - Seul Ce SoirDjango Forever2020 · Colors Of Guitars streaming concert, Hamburg · Watch title, source description and available positive-duration player checked 2026-10-05; independent performance; owner accuracy not independently verified.Jeffrey, Marcel and Mirano Weiss with Oliver Zierke; 1941 is composition date.Select video
Très Bien! - Je Suis Seule Ce Soir | Sofar SevilleTrès Bien! · Sofar Sounds2018 · Sofar Seville; 24 March 2018 · Watch title, source description and available positive-duration player checked 2026-10-05; independent performance; owner accuracy not independently verified.Vocal swing interpretation; tune and concert date stated by venue.Select videoPlay C–B7–C with two voices moving by semitone. Then transpose the whole phrase to G–F♯7–G and sing both versions without a chart.
Keep the B7 colour gentle. A quiet, consistent pulse can support a lyrical solo more effectively than continuous decorative fills.
Start at 70–90; explore 100–140 bpm
Play C–B7–C with two voices moving by semitone. Then transpose the whole phrase to G–F♯7–G and sing both versions without a chart.
Start below the suggested tempo. First hear four quarter-note clicks, then halve the click rate and place clicks on beats 2 and 4. Keep the same phrase length.
Seul Ce Soir — C major; G-major alternate chart also preserved; 32-bar chorus; two complete key versions in the source. Agree the tempo, pickup, solo order and ending before the count.
State C or G explicitly. Use the same version for melody, chart and backing track.
Use close chromatic inner voices below a sustained top melody; do not let the bass overwhelm it.
State C or G explicitly. Use the same version for melody, chart and backing track.
Choose the singer’s comfortable key, then transpose the whole arrangement, including the introduction. Use the original lyric phrasing to shape breathing.
This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.
Composition background and credits ↗
Guitare Improvisation — backing track ↗
Feature photograph — Gypsy Jazz UK historical archive ↗
Original Djangopedia illustration · AI-assisted, 2026
An original editorial interpretation of the tune. This is an illustration, not an archival photograph or a documented reconstruction of a recording session.
Generated with the native image-generation tool on 2026-10-08; original editorial artwork, not a historical photograph.
Prompt: Use case: illustration-story. One original editorial feature illustration for Djangopedia's guide “Seul Ce Soir”. Landscape 1536 × 1024, opaque background. Scene: Django stands at the edge of a broad empty room, guitar on its stand behind him; a single pale line bends close to a dark neighbouring plane and returns. Restrained solitude and semitone return reflect Seul Ce Soir without reproducing the photograph. Musical basis from the guide: A French song with a striking chromatic dominant beside the major tonic. Its restrained melody gives the accompanist room to colour the harmony without crowding the singer-like phrasing. The supplied chart is C major; G-major alternate chart also preserved; form: 32-bar chorus; two complete key versions in the source; feel: Ballad / gentle swing. These describe musical inspiration, not visible writing. Historical context: The song is credited to Paul Durand, Rose Noël and Jean Casanova and is generally dated 1941. Djangopedia lists a Brussels recording on 31 March 1942. The old page includes both a C-major chart and a G-major version labelled for Tchavolo; they are alternatives, not consecutive sections. Do not illustrate disputed historical claims or suggest this imagined scene is an archival session. Medium: charcoal with chalk. Dominant palette: cool white charcoal and muted violet. Composition: lone standing figure beside off-centre pool. Human presence: one small Django figure. Strong intentional design, clearly drawn/painted, distinctive material marks; keep essential subject safely within the central 70 percent width and middle 80 percent height for card crops. Maintain enough visual substance at thumbnail size. Broad inspiration observed in old photo, ONLY scale/rhythm and never a reference image: close lone guitarist; bright clothing against dark wall. Independently invent every pose, perspective, clothing, setting and lighting. Avoid: No white-suit seated pose, smiling portrait, centered guitar. No photorealism, archival simulation, generated text, letters, numbers, labels, fake musical notation, logo, signature, watermark, fake dates, yellowed-paper patina, recognizable artwork or copied photograph. No imitation of any named artist. Render the art edge to edge without borders, mockup or typography. Batch B diversity compensation: make light and midtone areas substantial; avoid near-black dominant backdrops, violet monochrome, empty chair/stool/bench compositions, repeated sunset terraces and generic cloud panoramas. Preserve the stated tune-specific scene. Human figures remain standing or peripheral except an explicitly named ensemble; no centered seated Django portrait. For graphic images use clearly plain colour shapes, no ruled parallel staffs, circles with stems, note-like marks or typography.
Photograph rights are documented separately in its credit. They do not establish the rights status of the composition or recording.