A nimble C-major tune that combines compact turnarounds with a clear dominant-chain bridge. Its extended chord symbols are colours to hear, not a requirement to play six-note grips at speed.
If you study one thing
Keep the bridge moving with a simple descending guide-tone line.
Owner content reviewed — 2026-10-06T18:36:19Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.
See what is here and what is missing
✓ Recording evidence
✓ Key & form
✓ Chart
✓ History
✓ Playing notes
✓ Practice plan
✓ Backing track
✓ Django recording
○ Django solo study aid
✓ Illustration
✓ Sources
✓ Difficulty
Django's Recordings
Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.
3 historical recording entries · source text preserved
Entry
Year
Recording / session / release evidence
Listen
01
1948
Festival 48, 10/3/48, OSW 502-1 ,"Fremeaux FA 316, Jazz Time 789103-2, Mosaic MD6-190(6 CD Set)."," - Paris - QHCF - Stephane Grappelly (v,p), Django & Joseph Reinhardt, Challin Ferret (g), Emmanuel Soudieux (b)"
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02
1948
Festival 48, October 10 1948, Fremeaux FA 316, - Paris - Jazz Parade - Hubert Rostaing and his Sextette featuring Django Reinhardt. Rostaing (cl); Roby Poitevin (vib); Armand Motta (p); Django Reinhardt (eg); L Gallopain / J-P Sasson (g); L Czabanyck (b); Arthur Motta (d).
—
03
1948
Festival 48, Dec 1948, "Fremeaux FA 316, Vogue 228E 6009, RCA 74321 237692"," - Concert in Brussels - Hubert Rostaing (cl), Django Reinhardt (g), Henri ""Louson"" Baumgartner (g), Louis Vola (b), Arthur Motta (d)"
—
A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.
History & Listening
Festival 48 is credited here to Django Reinhardt. The inherited archive lists 3 recording entries, with dated entries spanning 1948–1948. These are archive rows, not a claim that every entry is a distinct released take. The linked recording rows preserve the original discographical wording. Compare their dates, matrices and personnel when choosing a performance to study.
Tune details
Music: Django Reinhardt
Documented in archive: 1948
Original key: Not established
Study level: Intermediate; advanced where the inherited roadmap needs reconstruction
Melody & head
Keep the articulation compact so the repeated changes do not blur the head.
Listening task: Keep the articulation compact so the repeated changes do not blur the head. Mark the key, pickup, phrase lengths and ending before comparing another version.
Session evidence
Festival 48, 10/3/48, OSW 502-1 ,"Fremeaux FA 316, Jazz Time 789103-2, Mosaic MD6-190(6 CD Set)."," - Paris - QHCF - Stephane Grappelly (v,p), Django & Joseph Reinhardt, Challin Ferret (g), Emmanuel Soudieux (b)"
Compare the first and last listed entries for tempo, instrumentation and arrangement. Do not infer identical takes from a shared title. Keep the bridge moving with a simple descending guide-tone line.
Session evidence
Festival 48, Dec 1948, "Fremeaux FA 316, Vogue 228E 6009, RCA 74321 237692"," - Concert in Brussels - Hubert Rostaing (cl), Django Reinhardt (g), Henri ""Louson"" Baumgartner (g), Louis Vola (b), Arthur Motta (d)"
Count the form and check this arrangement’s key before joining in. The current preferred track is shown in Play along.
Chart & Form
C6/9–Am7–Dm7–G7 supplies the main loop; C7 moves toward F and F♯ diminished. The bridge is E7–A7–D7–G7.
Chord symbols and source cell divisions are preserved from Djangopedia. Slashes mark rhythm; 0 is inherited diminished notation whose exact voicing should be checked against the melody. This is a chord reference, not a melody transcription.
Festival 48 - Gypsy Jazz Backing Track 230 BPM - Django Reinhardt
Hot Club de France
230 BPM · The inherited chart is in C major. Confirm the backing track’s sounding key, pickup and complete form before playing; an instrument label may describe a transposed score. · 3:28 · Owner-approved study selection. YouTube identity and player availability checked 6 October 2026; musical accuracy and exact take not independently certified.
Owner selected 6 October 2026. Preferred practice resource; confirm its sounding key and full form before playing.
Django stands angled in a spare imagined rehearsal space, guitar held naturally, while short energetic brush gestures fan toward a descending diagonal. Compact turnaround energy and bridge guide tones are the subject, not a literal 1948 festival event.
An original editorial interpretation of the tune. This is an illustration, not an archival photograph or a documented reconstruction of a recording session.
Original Djangopedia illustration · AI-assisted, 2026
Festival 48 (Django Reinhardt) // Edouard Pennes - Giacomo Smith
Edouard Pennes and Giacomo Smith · Edouard Pennes
Live recording at Studio de la Seine, Paris; description says February 18 · YouTube title, uploader metadata and player availability checked 6 October 2026. Independent interpretation; proposed order awaits owner decision. No full-video musical audition claimed.
Stage 4N private performance. Year not inferred from ambiguous abbreviated date.
Start with the chord tones of each written harmony. Follow G♯–G–F♯–F through the bridge dominants.
Use passing notes only after the destination chord and phrase length are secure; this guide does not assign one scale indiscriminately to the whole tune.
Play the bridge’s descending guide-tone line in half notes. Then improvise a four-note motif over the A section and keep it recognisable through each turnaround.
Comping & voicings
Play third-and-seventh shells first. Add the written thirteenth or flat ninth only when it leaves space for the melody.
Voicing note sets
E7: E–G♯–D; A7: A–C♯–G; D7: D–F♯–C; G7: G–B–F.
Keep the accompaniment clear
Keep a quiet, even swing pulse, adjusting its density to the melody and ensemble.
Practise one chorus with only two chord attacks per bar, then restore four without changing tempo.
Letting extended voicings slow down the pulse.
Crowding the melody with dense extensions or doubling another accompanist’s register.
Practice room
Start around 100–140 bpm; increase only after the form stays secure
Your assignment
Play the bridge’s descending guide-tone line in half notes. Then improvise a four-note motif over the A section and keep it recognisable through each turnaround.
Loop these changes
Follow G♯–G–F♯–F through the bridge dominants.
Resolve F on G7 into E on C.
Metronome
Begin with four quarter-note clicks. Halve the click rate and hear beats 2 and 4 while maintaining the same phrase lengths.
Transposition
Transpose the first complete phrase up a whole step, including its cadence. Name chord functions before finding new fingerings.
Return to C major and play the melodic phrase from memory.
At the session
Festival 48 — C major; 32 bars, AABA in the inherited chart. Agree the pickup, tempo and ending before counting in.
Start together
Suggested rehearsal entry: give two clear bars of count-in and start the agreed pickup or first melody note. This is not claimed as a historical Django introduction.
Finish together
Agree a final melody statement and hold its tonic arrival; remove any turnaround intended to restart the chorus. Check the chosen arrangement for tags or a separate coda.
32 bars, AABA in the inherited chart. Keep the head and solo chorus lengths explicit at the count-in.
Letting extended voicings slow down the pulse.
Arranging the tune
Solo guitar
Start with melody and bass only. Add the following colour without interrupting the melody: Follow G♯–G–F♯–F through the bridge dominants.
Trio or larger group
Play third-and-seventh shells first. Add the written thirteenth or flat ninth only when it leaves space for the melody. Agree the full roadmap and signal the last head before it starts.
Vocal considerations
This guide focuses on the instrumental arrangement; any lyric adaptation needs separate credit and a chosen key.
Further study
Compare a plain G7 cadence with G13♭9 while holding the melody unchanged; identify which added note gives useful tension.
Chord symbols and source cell divisions are preserved from Djangopedia. Slashes mark rhythm; 0 is inherited diminished notation whose exact voicing should be checked against the melody. This is a chord reference, not a melody transcription.
Compare the linked archive entries before attributing one arrangement to all Django performances. Keep composition history separate from the dates of Django’s recordings.
This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.
Photo identification and provenance; reuse rights remain unverified
Illustration credit & provenance
Original Djangopedia illustration · AI-assisted, 2026
An original editorial interpretation of the tune. This is an illustration, not an archival photograph or a documented reconstruction of a recording session.
Generated with the native image-generation tool on 2026-10-08; original editorial artwork, not a historical photograph.
Prompt: Use case: illustration-story. One original editorial feature illustration for Djangopedia's guide “Festival 48”. Landscape 1536 × 1024, opaque background.
Scene: Django stands angled in a spare imagined rehearsal space, guitar held naturally, while short energetic brush gestures fan toward a descending diagonal. Compact turnaround energy and bridge guide tones are the subject, not a literal 1948 festival event.
Musical basis from the guide: A nimble C-major tune that combines compact turnarounds with a clear dominant-chain bridge. Its extended chord symbols are colours to hear, not a requirement to play six-note grips at speed. The supplied chart is C major; form: 32 bars, AABA in the inherited chart; feel: Swing. These describe musical inspiration, not visible writing. Historical context: Festival 48 is credited here to Django Reinhardt. Do not illustrate disputed historical claims or suggest this imagined scene is an archival session.
Medium: expressionistic brushwork. Dominant palette: rust dark teal and white. Composition: rising fan of gestures. Human presence: one small Django figure. Strong intentional design, clearly drawn/painted, distinctive material marks; keep essential subject safely within the central 70 percent width and middle 80 percent height for card crops. Maintain enough visual substance at thumbnail size.
Broad inspiration observed in old photo, ONLY scale/rhythm and never a reference image: lone guitar figure; dark backdrop; broad instrument line. Independently invent every pose, perspective, clothing, setting and lighting.
Avoid: No copied seated pose, audience, posters, centered face. No photorealism, archival simulation, generated text, letters, numbers, labels, fake musical notation, logo, signature, watermark, fake dates, yellowed-paper patina, recognizable artwork or copied photograph. No imitation of any named artist. Render the art edge to edge without borders, mockup or typography.
Research & rights notes
Specialist review of original editorial playing advice
Original key and precise composition date where not independently established
Inherited notation, session details and arrangement variants
Photograph reuse permissions
Photograph provenance and rights are stated separately. Attribution does not establish permission.
Festival 48 (Django Reinhardt) // Edouard Pennes - Giacomo SmithEdouard Pennes and Giacomo Smith · Edouard PennesLive recording at Studio de la Seine, Paris; description says February 18 · YouTube title, uploader metadata and player availability checked 6 October 2026. Independent interpretation; proposed order awaits owner decision. No full-video musical audition claimed.Stage 4N private performance. Year not inferred from ambiguous abbreviated date.✓ Featured
"Festival 48" (Django Reinhardt) ~ Rhythm Future Quartet ~ Live at The FalconRhythm Future Quartet · Betty Gennarelli2014 · The Falcon, 16 November 2014 · YouTube title, uploader metadata and player availability checked 6 October 2026. Independent interpretation; proposed order awaits owner decision. No full-video musical audition claimed.Stage 4N private performance. Olli Soikkeli, Jason Anick, Ivan Pena and Greg Loughman.Select video
Festival 48Biréli LagrèneGipsy Project, label-distributed album recording · YouTube title, uploader metadata and player availability checked 6 October 2026. Independent interpretation; proposed order awaits owner decision. No full-video musical audition claimed.Stage 4N private performance. 2001 release year is not independently established performance date.Select video
Festival 48The Angelo Debarre Quartet · The Angelo Debarre Quartet - TopicImpromptu, featuring Chris Garrick, Dave Kelbie and Pete Kubryk-Townsend · YouTube title, uploader metadata and player availability checked 6 October 2026. Independent interpretation; proposed order awaits owner decision. No full-video musical audition claimed.Stage 4N private performance. Label-distributed album audio; release date not used as recording year.Select video
Festival 48 | Jonny Hepbir Trio | UK & International Gypsy Jazz Band HireJonny Hepbir Trio2014 · Pangdean Barn, November 2014, as identified by artist · YouTube title, uploader metadata and player availability checked 6 October 2026. Independent interpretation; proposed order awaits owner decision. No full-video musical audition claimed.Stage 4N private performance. Artist-channel live trio performance.Select video