A brisk G-major vehicle with a familiar chain-of-dominants bridge. Small diminished approaches in the A sections provide movement without changing the underlying home-key logic.
If you study one thing
Make the bridge’s chromatic guide-tone descent effortless.
Owner content reviewed — 2026-10-06T15:50:53Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.
See what is here and what is missing
✓ Recording evidence
✓ Key & form
✓ Chart
✓ History
✓ Playing notes
✓ Practice plan
✓ Backing track
✓ Django recording
✓ Django solo study aid
✓ Illustration
✓ Sources
✓ Difficulty
Django's Recordings
Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.
7 historical recording entries · source text preserved
Entry
Year
Recording / session / release evidence
Listen
01
1949
Micro, Jan-Feb 1949, CW 64, "Fremeaux FA 317, Jazz Time 827447-2, BGO CD 366","- Rome - Django Reinhardt (g), Stephane Grappelly (v),Gianni Safred (p), Carlo Pecori (b), Aurelio de Carolis (d)."
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02
1949
Micro, Jan-Feb 1949, CW 65 ,"Fremeaux FA 317, Not issued on CD.LP Pathe C 054 16020"," - Rome - Django Reinhardt (g), Stephane Grappelly (v),Gianni Safred (p), Carlo Pecori (b), Aurelio de Carolis (d)."
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03
1949
Micro, 25/10/49, "Fremeaux FA 318, Vogue 228E 6010, Vogue 600121, Vogue 668003"," - Radio Geneve - Django Reinhardt (elg), Andre Ekyan (as,cl), Francois Vermeille (p), Jean Bouchety (b), Gaston Leonard (d)"
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04
1950
Micro, 1950, CW7,"Fremeaux FA 318, BGO CD 366"," - Rome - Django Reinhardt (elg), Andre Ekyan (as,cl), Ralph Schecroun (p) Alf Masselier (b), Roger Paraboschi (d)"
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05
1948
Mike,OSW 500-1 ,"Fremeaux FA 316, Jazz Time 789103-2, Mosaic MD6-190(6 CD Set).","10/3/48 - Paris - QHCF - Stephane Grappelly (v,p), Django & Joseph Reinhardt, Challin Ferret (g), Emmanuel Soudieux (b)"
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06
1947
Swing Dynamique (Micro),"Fremeaux FA 314, Vogue 228E 6007, Vogue 668003-3","7-15-22/9/47 - Paris - Souvenirs de Django - Django Reinhardt (elg), Hubert Rostaing (cl), Eugene Vees (g), Emmanuel Soudieux (b), Andre Jourdan (d)"
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07
1947
Part 4764-1 Moppin' The Bride,"Fremeaux FA 315, Classics 1046, Verve 835 418-2, Legacy 411(""Moppin' TheBlues"")","4/10/47 - Paris - QHCF - Django Reinhardt (elg), Hubert Rostaing (cl), Joseph Reinhardt (g), Emmanuel Soudieux (b), Andre Jourdan (d)"
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A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.
History & Listening
Micro is credited here to Django Reinhardt. The inherited archive lists 4 recording entries, with dated entries spanning 1949–1950. These are archive rows, not a claim that every entry is a distinct released take. The page’s January 1949 first-recording claim needs review: the Nice repertoire also associates the piece with the earlier title Mike. The inherited rows are preserved rather than promoted to a definitive first-date claim.
Tune details
Music: Django Reinhardt
Documented in archive: 1949
Original key: Not established
Study level: Intermediate; advanced where the inherited roadmap needs reconstruction
Melody & head
Keep the head’s articulation clear before accelerating.
Listening task: Keep the head’s articulation clear before accelerating. Mark the key, pickup, phrase lengths and ending before comparing another version.
Session evidence
Micro, Jan-Feb 1949, CW 64, "Fremeaux FA 317, Jazz Time 827447-2, BGO CD 366","- Rome - Django Reinhardt (g), Stephane Grappelly (v),Gianni Safred (p), Carlo Pecori (b), Aurelio de Carolis (d)."
Compare the first and last listed entries for tempo, instrumentation and arrangement. Do not infer identical takes from a shared title. Make the bridge’s chromatic guide-tone descent effortless.
Session evidence
Micro, 1950, CW7,"Fremeaux FA 318, BGO CD 366"," - Rome - Django Reinhardt (elg), Andre Ekyan (as,cl), Ralph Schecroun (p) Alf Masselier (b), Roger Paraboschi (d)"
The inherited chart is in G major. Confirm the backing track’s sounding key, pickup and complete form before playing; an instrument label may describe a transposed score.
Chart & Form
G with B♭ diminished leads to Am7–D7. G7 moves toward C and C diminished. The bridge cycles B7–E7–A7–D7 before the final A.
Chord symbols and source cell divisions are preserved from Djangopedia. Slashes mark rhythm; 0 is inherited diminished notation whose exact voicing should be checked against the melody. This is a chord reference, not a melody transcription.
The inherited chart is in G major. Confirm the backing track’s sounding key, pickup and complete form before playing; an instrument label may describe a transposed score. · 2:20
1950 · Uploader identifies Micro (Mike), Django 1950 version · Guitarist and hands visible; title and description identify Django 1950 version. No independent note accuracy or precise take comparison. Checked 2026-10-06; private research candidate, not owner approved. Note-for-note accuracy not independently verified.
Stage 4L — Class S. Approximately 56-second performed excerpt using two fretting fingers. No TAB visible. Source claim: Uploader identifies Micro (Mike), Django 1950 version
Owner-selected illustration. A tiny 1940s studio microphone looms enormously over a small nimble electric guitarist; its grille rhythm becomes a sequence of crisp little geometric shapes. Clever scale reversal and musical precision, no brand lettering.
Original AI-assisted editorial artwork inspired by the tune; not a documented historical scene.
Original AI-assisted illustration created for Djangopedia
Biréli Lagrène with Hono Winterstein and Diego Imbert · Biréli Lagrène
Gipsy Trio; official Dreyfus album audio · YouTube title, uploader metadata, player availability and visible presentation checked 2026-10-06. Independent interpretation; proposed order awaits owner decision. No full-video or note-for-note audit claimed.
Stage 4M private performance. Gipsy Trio; official Dreyfus album audio. Static cover.
Connect D♯ on B7 to D on E7, then C♯ on A7 to C on D7.
Use E♭ from C diminished as a chromatic approach to D over G.
Pitch choices
Start with the chord tones of each written harmony. Connect D♯ on B7 to D on E7, then C♯ on A7 to C on D7.
Use passing notes only after the destination chord and phrase length are secure; this guide does not assign one scale indiscriminately to the whole tune.
Loop the bridge with the upper voice D♯–D–C♯–C. Then use the same rhythm in all three A sections while varying only the ending.
Comping & voicings
Keep the rhythm crisp, with compact shells on the bridge. Save denser diminished voicings for spaces in the solo line.
Voicing note sets
B7: B–D♯–A; E7: E–G♯–D; A7: A–C♯–G; D7: D–F♯–C.
Keep the accompaniment clear
Keep a quiet, even swing pulse, adjusting its density to the melody and ensemble.
Practise one chorus with only two chord attacks per bar, then restore four without changing tempo.
Losing the final D7 bridge bar and entering the A section early.
Crowding the melody with dense extensions or doubling another accompanist’s register.
Practice room
Start around 100–140 bpm; increase only after the form stays secure
Your assignment
Loop the bridge with the upper voice D♯–D–C♯–C. Then use the same rhythm in all three A sections while varying only the ending.
Loop these changes
Connect D♯ on B7 to D on E7, then C♯ on A7 to C on D7.
Use E♭ from C diminished as a chromatic approach to D over G.
Metronome
Begin with four quarter-note clicks. Halve the click rate and hear beats 2 and 4 while maintaining the same phrase lengths.
Transposition
Transpose the first complete phrase up a whole step, including its cadence. Name chord functions before finding new fingerings.
Return to G major and play the melodic phrase from memory.
At the session
Micro — G major; 32 bars, AABA in the inherited chart. Agree the pickup, tempo and ending before counting in.
Start together
Suggested rehearsal entry: give two clear bars of count-in and start the agreed pickup or first melody note. This is not claimed as a historical Django introduction.
Finish together
Agree a final melody statement and hold its tonic arrival; remove any turnaround intended to restart the chorus. Check the chosen arrangement for tags or a separate coda.
32 bars, AABA in the inherited chart. Keep the head and solo chorus lengths explicit at the count-in.
Losing the final D7 bridge bar and entering the A section early.
Arranging the tune
Solo guitar
Start with melody and bass only. Add the following colour without interrupting the melody: Connect D♯ on B7 to D on E7, then C♯ on A7 to C on D7.
Trio or larger group
Keep the rhythm crisp, with compact shells on the bridge. Save denser diminished voicings for spaces in the solo line. Agree the full roadmap and signal the last head before it starts.
Vocal considerations
This guide focuses on the instrumental arrangement; any lyric adaptation needs separate credit and a chosen key.
Further study
Compare the bridge with rhythm changes transposed to G. Hear the structural similarity without importing a different A-section arrangement.
Chord symbols and source cell divisions are preserved from Djangopedia. Slashes mark rhythm; 0 is inherited diminished notation whose exact voicing should be checked against the melody. This is a chord reference, not a melody transcription.
Compare the linked archive entries before attributing one arrangement to all Django performances. The page’s January 1949 first-recording claim needs review: the Nice repertoire also associates the piece with the earlier title Mike. The inherited rows are preserved rather than promoted to a definitive first-date claim.
This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.
Photo identification and provenance; reuse rights remain unverified
Illustration credit & provenance
Original AI-assisted illustration created for Djangopedia
Original AI-assisted editorial artwork inspired by the tune; not a documented historical scene.
Generated with the native image-generation tool on 2026-10-26; original editorial artwork, not a historical photograph.
Prompt: Use case: stylized-concept. Create one finished original landscape 1536x1024 (3:2) raster illustration for Djangopedia, tune Micro.
Tune context for interpretation only: Micro is credited here to Django Reinhardt. The inherited archive lists 4 recording entries, with dated entries spanning 1949–1950. These are archive rows, not a claim that every entry is a distinct released take. The page’s January 1949 first-recording claim needs review: the Nice repertoire also associates the piece with the earlier title Mike. The inherited rows are preserved rather than promoted to a definitive first-date claim.
Scene: A tiny 1940s studio microphone looms enormously over a small nimble electric guitarist; its grille rhythm becomes a sequence of crisp little geometric shapes. Clever scale reversal and musical precision, no brand lettering.
Art direction: Graphic 1950s cartoon-lithograph feeling with dry screenprinted ink: loose lively line meeting disciplined flat colour, economical expressive detail, playful but accomplished. Palette: forest green, ochre, brick red and cream. Subtle dry ink and paper texture, controlled print misregistration. Make it an artwork with a memorable singular idea, readable as a thumbnail and rewarding at full size; vary viewpoint and composition.
Constraints: entirely original composition, not a copy of an artist's print. No title, words, notation, logos or watermark. No photorealism, glossy 3D, gradients, airbrushed romantic haze, generic sunset or decorative hearts. If Django appears, swept-back dark hair, pencil moustache and a distinct mature individual face; period clothes, no ethnic stereotypes. Respect plausible instruments and hands, keep key subjects within frame. Use strong flat ink shapes rather than photorealistic rendering.
Research & rights notes
Specialist review of original editorial playing advice
Original key and precise composition date where not independently established
Inherited notation, session details and arrangement variants
Photograph reuse permissions
Photograph provenance and rights are stated separately. Attribution does not establish permission.
16 - Micro (Mike) (1950) Django Reinhardt #2fingersGabriel Manzaneque / Gab Manz1950 · Uploader identifies Micro (Mike), Django 1950 version · Guitarist and hands visible; title and description identify Django 1950 version. No independent note accuracy or precise take comparison. Checked 2026-10-06; private research candidate, not owner approved. Note-for-note accuracy not independently verified.Stage 4L — Class S. Approximately 56-second performed excerpt using two fretting fingers. No TAB visible. Source claim: Uploader identifies Micro (Mike), Django 1950 version✓ Featured
Micro - Django Reinhardt ( solo transcription )Django Reinhardt (uploader-attributed transcription) · Дмитрий КушнировUploader: Micro — Django Reinhardt solo transcription; exact source year/take not established. · Owner selected and authorized publication. YouTube identity and visible resource type checked; exact take and musical accuracy not independently verified.Owner-selected additional Micro solo-transcription study resource. Visible notation/TAB over a historical photograph; no new guitarist performing a recreation was visible in the inspected sections. Original Gabriel Manzaneque recreation retained first.Select video
MicroBiréli Lagrène with Hono Winterstein and Diego Imbert · Biréli LagrèneGipsy Trio; official Dreyfus album audio · YouTube title, uploader metadata, player availability and visible presentation checked 2026-10-06. Independent interpretation; proposed order awaits owner decision. No full-video or note-for-note audit claimed.Stage 4M private performance. Gipsy Trio; official Dreyfus album audio. Static cover.✓ Featured
MicroJimmy Rosenberg, Angelo Debarre and Biréli Lagrène · Jimmy Rosenberg - TopicThe One and Only; official distributed album audio · YouTube title, uploader metadata, player availability and visible presentation checked 2026-10-06. Independent interpretation; proposed order awaits owner decision. No full-video or note-for-note audit claimed.Stage 4M private performance. The One and Only; official distributed album audio. Static cover.Select video
MicroJoscho StephanDjango Forever; official Acoustic Music album audio · YouTube title, uploader metadata, player availability and visible presentation checked 2026-10-06. Independent interpretation; proposed order awaits owner decision. No full-video or note-for-note audit claimed.Stage 4M private performance. Django Forever; official Acoustic Music album audio. Static cover.Select video
MicroAngelo Debarre with Tchavolo Hassan and Antonio Licusati · Angelo Debarre - TopicLive in Paris; official Le Chant du Monde album audio · YouTube title, uploader metadata, player availability and visible presentation checked 2026-10-06. Independent interpretation; proposed order awaits owner decision. No full-video or note-for-note audit claimed.Stage 4M private performance. Live in Paris; official Le Chant du Monde album audio. Live album with static cover; exact performance date unestablished.Select video
MicroBabik Reinhardt, Romane, Florin Niculescu, Gilles Naturel and Philippe Doudou Cuillerier · Babik Reinhardt - TopicNew Quintet du Hot Club de France; official Frémeaux album audio · YouTube title, uploader metadata, player availability and visible presentation checked 2026-10-06. Independent interpretation; proposed order awaits owner decision. No full-video or note-for-note audit claimed.Stage 4M private performance. New Quintet du Hot Club de France; official Frémeaux album audio. Static cover.Select video
Swan Berger - Micro (Django Reinhardt) à l'UNESCO (4/6)Swan Berger with Mathieu Chatelain and William Brunard · annecy752012 · UNESCO, Paris, 27 April 2012 · YouTube title, uploader metadata, player availability and visible presentation checked 2026-10-06. Independent interpretation; proposed order awaits owner decision. No full-video or note-for-note audit claimed.Stage 4M private performance. UNESCO, Paris, 27 April 2012. Visible live trio.Select video