Tune details
Music: Ernest Seitz
Words: Eugene Lockhart
Source-attributed publication / composition: 1919
Original key: Not established
Study level: Intermediate; diminished colour and long phrases
A spacious song can become a driving swing vehicle: keep its long phrase shape audible as the tempo rises.
Sing one sixteen-bar span while tapping the quarter-note beat.

Owner content reviewed — 2026-10-18T10:57:13Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.
Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.
Django Reinhardt
source-described; accuracy not independently verified
Uploader identifies this as Django Reinhardt’s performance; recording date and take require comparison with the discography.
| Entry | Year | Recording / session / release evidence | Listen |
|---|---|---|---|
| 01 | 1949 | The World Is Waiting For The Sunrise, Jan-Feb 1949, CW 22,"Fremeaux FA 316, RCA ND 70929-2, RCA ND 90448"," - Rome - Django Reinhardt (g), Stephane Grappelly (v),Gianni Safred (p), Carlo Pecori (b), Aurelio de Carolis (d)" | — |
A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.
The University of Texas at Arlington preserves the 1919 score, crediting Ernest Seitz and Eugene Lockhart. The inherited Django entry is from Rome in January–February 1949. The existing Antonis Arfanis transcription remains available. The new selections offer ensemble and solo-guitar treatments, which should be compared as arrangements rather than treated as interchangeable accompaniments.
Music: Ernest Seitz
Words: Eugene Lockhart
Source-attributed publication / composition: 1919
Original key: Not established
Study level: Intermediate; diminished colour and long phrases
Notice how the 1949 ensemble stretches the long melody while maintaining the underlying beat. Compare that with the solo-guitar arrangement’s bass movement.
The World Is Waiting For The Sunrise, Jan-Feb 1949, CW 22,"Fremeaux FA 316, RCA ND 70929-2, RCA ND 90448"," - Rome - Django Reinhardt (g), Stephane Grappelly (v),Gianni Safred (p), Carlo Pecori (b), Aurelio de Carolis (d)"
In the C-major grid, C diminished interrupts the tonic before E7 leads onward. The second half brings a subdominant area and dominant motion through A7, D7 and G7. The raw F-sharp chord symbol lacks a quality mark; do not silently assume a diminished sign. Resolve that bar against the selected arrangement before using the grid in a group. Check the video key before playing with the chart.
In the C-major grid, C diminished interrupts the tonic before E7 leads onward. The second half brings a subdominant area and dominant motion through A7, D7 and G7. The raw F-sharp chord symbol lacks a quality mark; do not silently assume a diminished sign. Resolve that bar against the selected arrangement before using the grid in a group.
Inherited chart is preserved verbatim as historical study material, not silently corrected or newly authenticated. Check the specific caveats below and match the arrangement and key to the selected video. External teaching material remains on its creator’s site.
| C/// | C/// |C0/// | C0/// | | C/// | C/// |E7/// | E7/// | | F/// | F#/// |C/// | A7/// | | D7/// | D7/// |G7/// | G7/// | | C/// | C/// |C0/// | C0/// | | C/// | C/// |E7/// | E7/// | | F/// | F#/// |C/// | A7/// | | D7/// | G7/// | C/ C#0/ | Dm7/ G7/ :||Original source ↗
Study Gypsy Jazz
3m20s · Video available when checked; creator-described attribution.
Creator-provided play-along; instrumentation and feel vary by selection. Check the key and full arrangement before joining in; the guide chart may use another key.
If playback is unavailable, use the source link.
Performed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.
Antonis Arfanis
source-described; accuracy not independently verified
Creator presents a study of Django’s recorded solo. Use it alongside the original recording; exact transcription accuracy has not been independently reviewed.
If playback is unavailable, use the source link.
Follow a shared key, a harmonic idea or a familiar form. Keys refer to this site’s chart editions; other recordings may use a different key.
No sufficiently supported harmonic comparison has been added yet.
Showing 8 of 30 matches. Explore the full catalogue →
Showing 8 of 26 matches. Explore the full catalogue →
Original serigraph-style illustration for the world is waiting for the sunrise
Original AI-assisted editorial artwork inspired by the tune’s mood. It does not depict a documented historical event.
Original AI-assisted illustration created for Djangopedia
Illustration credits & provenance →Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.
cminor7b5
Video available when checked; creator-described attribution.
Performer attribution follows the video title and channel description. Proposed listening selection; no popularity ranking implied.
If playback is unavailable, use the source link.
Joscho Stephan and Friends - World is Waiting for the Sunrisecminor7b5Video available when checked; creator-described attribution.Performer attribution follows the video title and channel description. Proposed listening selection; no popularity ranking implied.✓ Featured
The World is Waiting for the Sunrise - Solo Guitar - Adrian WhyteAdrian WhyteVideo available when checked; creator-described attribution.Performer attribution follows the video title and channel description. Proposed listening selection; no popularity ranking implied.Select videoSing one sixteen-bar span while tapping the quarter-note beat. Play its first and last melody notes only, then gradually fill the space. Isolate the ambiguous F-sharp bar with a recording and agree its voicing before practising full choruses.
Keep a consistent swing pulse through the long span. Do not rush the final dominant sequence to reach the new chorus.
Begin at 90–110 bpm before increasing swing tempo
Sing one sixteen-bar span while tapping the quarter-note beat. Play its first and last melody notes only, then gradually fill the space. Isolate the ambiguous F-sharp bar with a recording and agree its voicing before practising full choruses.
Count quarter notes first. Then place the click on beats 2 and 4 at half the click rate, keeping the phrase length unchanged.
C major (inherited chart); 32-bar study grid; two related sixteen-bar spans. Agree the arrangement, pickup and ending before counting in.
The inherited F-sharp symbol is incomplete; it is preserved, not certified as a complete chord instruction.
Keep the melody uppermost and begin with a single bass note under each harmony. Use small dominant shells for the A7–D7–G7 passage and retain common tones wherever possible.
Keep a consistent swing pulse through the long span. Do not rush the final dominant sequence to reach the new chorus.
Choose a comfortable singing key and transpose the accompaniment as a whole; lyrics are not reproduced here.
Search online videos of "The World Is Waiting For The Sunrise" in youtube.com ↗
This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.
Preserved Djangopedia archive ↗
Existing Django listening reference ↗
Original AI-assisted illustration created for Djangopedia
Original AI-assisted editorial artwork inspired by the tune’s mood. It does not depict a documented historical event.
Generated with the native image-generation tool on 2026-10-18; original editorial artwork, not a historical photograph.
Prompt: Create an original horizontal 3:2 editorial serigraph illustration for the jazz tune the world is waiting for the sunrise. A huge rising sun behind stepped city rooftops, an anonymous angular guitarist in silhouette on a balcony, long rhythmic rays. Bold mid-century screen-print design: very simplified geometric silhouettes, asymmetrical negative space, flat limited ink palette of sunrise orange, butter yellow, midnight navy and warm cream, rough ink edges, subtle paper grain. Graphic not painterly, whimsical sophisticated jazz poster atmosphere. No gradients, no photorealism, no text, no border, no existing artwork copied. Keep important subjects fully in frame.