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Player guide

Are You In The Mood

A swinging question-and-answer study with three historical archive entries and contrasting ensemble settings.

If you study one thing

Sing the melody once without playing.

Django Reinhardt playing guitar with David Rose standing behind him at the Aquarium, New York, circa November 1946.
William P. Gottlieb / Library of Congress
Aquarium, New York, N.Y. · circa November 1946 · Photo credits
Chart keyG major (Sven Jungbeck play-along)
FormConfirm the selected recording’s full chorus and introduction
FeelSwing
Meter4/4
MusicDjango Reinhardt, Stéphane Grappelli
Guide coverage11 / 12 sections present

Owner content reviewed — 2026-10-18T10:57:15Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.

See what is here and what is missing
  • ✓ Recording evidence
  • ✓ Key & form
  • ○ Chart
  • ✓ History
  • ✓ Playing notes
  • ✓ Practice plan
  • ✓ Backing track
  • ✓ Django recording
  • ✓ Django solo study aid
  • ✓ Photograph
  • ✓ Sources
  • ✓ Difficulty

Django's Recordings

Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.

3 historical recording entries · source text preserved
EntryYearRecording / session / release evidenceListen
011936Are You In The Mood, 4/5/36, OLA 1061-1 ,"Fremeaux FA 305, Affinity AFS 1003, Classics 739, JSP 344, Mosaic MD6-190(6 CD Set).","Paris - QHCF - Stephane Grappelly (v), Django Reinhardt, Joseph Reinhardt, Pierre Ferret (g), Lucien Simoens (b), Freddy Taylor (vo)"—
021945Are You In The Mood, 6/11/45, OSW 411-1 ,"Fremeaux FA 312, Classics 945", - Paris - Django Reinhardt and his American Swing Band—
031945Are You In The Mood, 16/12/45, "Fremeaux FA 312, Jass JCD 628, Vogue 228E 6005", - Paris - Django Reinhardt and the A.T.C. Band - Concert - Salle Pleyel—

A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.

History & Listening

The archive retains entries dated 4 May 1936, 6 November 1945 and 16 December 1945. The first names Freddy Taylor as vocalist; the later entries identify larger ensembles. The existing listening upload gives different date readings, so this guide does not use its description to overwrite the archive or assign an exact take. Brad Brose’s modern performance credits Reinhardt and Grappelli as composers.

Tune details

Music: Django Reinhardt, Stéphane Grappelli

Documented in archive: 1936

Original key: Not established

Study level: Intermediate; vocal-length phrasing and arrangement awareness

Melody & head

  • Compare vocal-length phrases in the earlier setting with the later ensemble approach; identify the start of the solo before transcribing it.
  • The archive and upload description disagree on some dates. No exact take association is asserted.

Study the inherited Django recording evidence ↗

Compare vocal-length phrases in the earlier setting with the later ensemble approach; identify the start of the solo before transcribing it.

Session evidence

Are You In The Mood, 4/5/36, OLA 1061-1 ,"Fremeaux FA 305, Affinity AFS 1003, Classics 739, JSP 344, Mosaic MD6-190(6 CD Set).","Paris - QHCF - Stephane Grappelly (v), Django Reinhardt, Joseph Reinhardt, Pierre Ferret (g), Lucien Simoens (b), Freddy Taylor (vo)"

Study the proposed backing arrangement ↗

No owned readable grid is present. Use Sven Jungbeck’s explicitly labelled G-major play-along as one study setting, while checking its complete form against the melody. First identify tonic arrivals and contrasting phrases by ear; then mark the third and seventh of the actual chords. Do not infer a stock thirty-two-bar sequence solely from the style. Check the video key before playing with the chart.

Chart & Form

No owned readable grid is present. Use Sven Jungbeck’s explicitly labelled G-major play-along as one study setting, while checking its complete form against the melody. First identify tonic arrivals and contrasting phrases by ear; then mark the third and seventh of the actual chords. Do not infer a stock thirty-two-bar sequence solely from the style.

Inherited chart is preserved verbatim as historical study material, not silently corrected or newly authenticated. Check the specific caveats below and match the arrangement and key to the selected video. External teaching material remains on its creator’s site.

No readable chord chart has been added for this title.

Play along

Study Django's Solo

Performed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.

Similar tunes

Follow a shared key, a harmonic idea or a familiar form. Keys refer to this site’s chart editions; other recordings may use a different key.

Related chord movement

No sufficiently supported harmonic comparison has been added yet.

Same form

No match is established in the current chart metadata.

Behind the photograph

Editorial reuse of a verified Gottlieb photograph already in the Djangopedia gallery. This image is not claimed to depict this tune or its recording session.

Part of William P. Gottlieb’s documented Aquarium photographs in New York, circa November 1946. The catalogue supplies the location and approximate date; this is not evidence of a particular tune being played.

Explore this photograph, its context & credits →

Notable Gypsy Jazz Performances

Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.

Improvisation

Target notes & voice leading

  • B and D define the G-major tonic; sing them before adding decoration.
  • At each confirmed dominant, resolve its third toward the destination rather than continuing a generic G scale.

Pitch choices

  • Begin with the named chord tones. Add passing notes only after the melody and cadence are secure.

Sing the melody once without playing. Mark each phrase ending, then play only those landing notes over the backing track. Add a short answer to alternate phrases, keeping the silent phrases exactly in time.

Comping & voicings

The selected backing has no introduction or outro and five choruses. Agree a count-in and final cue before joining it.

Voicing note sets

  • Begin with a G-major shell, then add only chord shapes established by the chosen teaching arrangement.

Keep the accompaniment clear

  • First establish an even pulse; add rhythmic variation only when the melody leaves space.
  • The archive and upload description disagree on some dates. No exact take association is asserted.

Practice room

Begin with the creator-labelled 80 bpm play-along; confirm its counted pulse

Your assignment

Sing the melody once without playing. Mark each phrase ending, then play only those landing notes over the backing track. Add a short answer to alternate phrases, keeping the silent phrases exactly in time.

Loop these changes

  • Sing the melody once without playing.

Metronome

Count quarter notes first. Then place the click on beats 2 and 4 at half the click rate, keeping the phrase length unchanged.

Transposition

  • Move one short cadence to a nearby key by naming its chord tones, then return to the chosen study key.

At the session

G major (Sven Jungbeck play-along); Confirm the selected recording’s full chorus and introduction. Agree the arrangement, pickup and ending before counting in.

Start together

  • Count a clear tempo and use the final cadence of the agreed arrangement.

Finish together

  • Cue the final tonic together; agree any tag before starting.

The archive and upload description disagree on some dates. No exact take association is asserted.

  • The archive and upload description disagree on some dates. No exact take association is asserted.

Arranging the tune

Solo guitar

Keep the melody uppermost and begin with a single bass note under each harmony. Begin with a G-major shell, then add only chord shapes established by the chosen teaching arrangement.

Trio or larger group

The selected backing has no introduction or outro and five choruses. Agree a count-in and final cue before joining it.

Vocal considerations

No vocal arrangement is prescribed; use the instrumental melody as the phrasing reference.

Inherited media links

Sources & credits

This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.

Djangopedia legacy page ↗

Sven Jungbeck play-along ↗

  • G major, 80 bpm label, five choruses and no intro/outro.

Brad Brose ensemble credits ↗

  • Composer attribution and named musicians.

Preserved Djangopedia archive ↗

  • Inherited chart and historical recording evidence; not newly authenticated session data.

Existing Django listening reference ↗

  • Recording attribution and, where supplied, distributor credits; not a verified take association.
Photograph credit & rights

William P. Gottlieb / Library of Congress · Aquarium, New York, N.Y. · circa November 1946

Gottlieb collection photographs entered the public domain on February 16, 2010, according to the source file page.

Photograph source ↗ · Rights details ↗

Used to illustrate Django’s life; no connection to this tune’s recording session is claimed.

Research & rights notes
  • No readable owned chord chart; full form needs arrangement-specific confirmation.
  • Historical dates differ between archive and listening-upload description.