A compact early standard that starts on the subdominant and takes an extra four bars to finish its thought. Its direct melody is a useful anchor for hearing major-to-minor colour and keeping an irregular chorus intact.
Owner content reviewed — 2026-10-04T09:39:28Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.
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✓ Recording evidence
✓ Key & form
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✓ Playing notes
✓ Practice plan
✓ Backing track
✓ Django recording
✓ Django solo study aid
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Django's Recordings
Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.
3 historical recording entries · source text preserved
Entry
Year
Recording / session / release evidence
Listen
01
1934
After You've Gone, Aug. 1934,"Fremeaux FA 302, Classics 703."," - Paris - Django Reinhardt, Joseph Reinhardt (g), Juan Fernandez (b)."
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02
1936
After You've Gone, 4/5/36,OLA 1060-1 ,"Fremeaux FA 305, Affinity AFS 1003, Classics 739, JSP 344, Jazz Time 790560-2, EMI 780671-2, Mosaic MD6-190(6 CD Set)."," - Paris - QHCF - Stephane Grappelly (v), Django Reinhardt, Joseph Reinhardt, Pierre Ferret (g), Lucien Simoens (b), Freddy Taylor (vo)"
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03
1949
After You've Gone, Jan-Feb 1949,CW 49,"Fremeaux FA 317, RCA ND 70929-2, RCA ND 90448"," - Rome - Django Reinhardt (g), Stephane Grappelly (v),Gianni Safred (p), Carlo Pecori (b), Aurelio de Carolis (d)"
A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.
History & Listening
Turner Layton and Henry Creamer published the song in 1918. The inherited Django page lists performances in 1934, 1936 and 1949. The 20-bar chorus is central to the tune: treating it as a conventional 16- or 32-bar song changes its shape.
Tune details
Music: Turner Layton
Words: Henry Creamer
Published / composed: 1918
Original key: Not established
Study level: Intermediate; unusual chorus length
Melody & head
Sing the entire closing phrase without stopping at bar 16.
Separate the head from any double-time embellishment you learn from a solo.
Count its form and check its key before joining in. In G, the opening C→Cm→G supplies IV→iv→I. E7 then points away from home, while A7 and D7 restore the dominant chain. The final eight bars move more quickly and extend the close.
Chart & Form
In G, the opening C→Cm→G supplies IV→iv→I. E7 then points away from home, while A7 and D7 restore the dominant chain. The final eight bars move more quickly and extend the close.
Chord symbols follow the inherited Djangopedia chart. Slashes are rhythmic marks; chord quality and turnaround choices may differ from the backing track. This is a chord reference, not a melody transcription.
Django's solo After You've Gone slow with sheet & tabs
School of Manouche
source-described; accuracy not independently verified
Creator presents a study of Django’s recorded solo. Use it alongside the original recording; exact transcription accuracy has not been independently reviewed.
No match is established in the current chart metadata.
Behind the illustration
The 1918 Layton/Creamer standard has a twenty-bar G-major chorus with a major-to-minor turn. Django entries span 1934–1949. The current photograph shows Django standing with a bicycle in a wide street group; use only the outward-moving, spacious cue.
An original editorial interpretation of the tune. This is an illustration, not an archival photograph or a documented reconstruction of a recording session.
Original Djangopedia illustration · AI-assisted, 2026
Angelo Debarre - After you've gone (Selmer Guitar)
Angelo Debarre, Serge Camps and Frank Anastasio · Henri SELMER Paris
Bal Blomet reunion — Selmer session · Watch-page identity, tune, performers and Gypsy jazz context checked 2026-10-07; date/session details remain source claims.
Reunion performance by the Gypsy Guitars trio at Bal Blomet, published by Henri SELMER Paris. The original album’s year is not assigned to this later performance.
G♯ gives E7 its dominant quality; C♯ identifies A7.
Keep F♯→G audible at D7→G without placing the return four bars early.
Pitch choices
Use G-major chord tones on arrivals, and Cm arpeggios for the minor subdominant.
Follow the local thirds through E7, A7 and D7 rather than running G major over all three.
Count five groups of four bars. Play a two-bar idea followed by two bars of space in each group, changing only the final answer in group five.
Comping & voicings
Give the C-to-Cm change a clear inner voice. Light quarter notes work well; reserve a stronger arrival for the actual end of the 20-bar cycle.
Voicing note sets
C: C–E–G; Cm: C–E♭–G; G6: G–B–E.
E7: E–G♯–D; A7: A–C♯–G; D7: D–F♯–C.
Keep the accompaniment clear
Start with a quiet, even pulse. Leave an entire phrase unfilled and listen to how the melody breathes.
Returning to the top after sixteen bars.
Adding dense extensions that obscure the melody or duplicate the pianist’s register.
Practice room
Start at 90–110; explore 150–190 bpm
Your assignment
Count five groups of four bars. Play a two-bar idea followed by two bars of space in each group, changing only the final answer in group five.
Loop these changes
C → Cm → G
E7 → A7 → D7
Final eight bars → opening C
Metronome
Start below the suggested tempo. First hear four quarter-note clicks, then halve the click rate and place clicks on beats 2 and 4. Keep the same phrase length.
Transposition
Move C → Cm → G up one whole step by naming each chord’s function before finding a guitar shape.
Return to G major (legacy chart) and play the original melody without the chart.
At the session
After You've Gone — G major (legacy chart); 20-bar chorus; four extra closing bars. Agree the tempo, pickup, solo order and ending before the count.
Start together
Use a G turnaround, then explicitly cue the C opening.
Finish together
Agree on the final G instead of automatically playing the G7 that restarts the chorus.
Call G, twenty bars, and count the closing extension together before trading solos.
Returning to the top after sixteen bars.
Arranging the tune
Solo guitar
Keep the melody above a simple bass line and let E→E♭→D connect the opening chords.
Trio or larger group
Call G, twenty bars, and count the closing extension together before trading solos.
Vocal considerations
Choose the singer’s comfortable key, then transpose the whole arrangement, including the introduction. Use the original lyric phrasing to shape breathing.
Further study
Compare the four-bar closing extension with an ordinary 16-bar song. Write a melodic answer that makes the extra time necessary rather than sounding like a counting correction.
Chord symbols follow the inherited Djangopedia chart. Slashes are rhythmic marks; chord quality and turnaround choices may differ from the backing track. This is a chord reference, not a melody transcription.
Compare the session evidence below before attributing one arrangement to every Django performance. Turner Layton and Henry Creamer published the song in 1918. The inherited Django page lists performances in 1934, 1936 and 1949. The 20-bar chorus is central to the tune: treating it as a conventional 16- or 32-bar song changes its shape.
This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.
Original Djangopedia illustration · AI-assisted, 2026
An original editorial interpretation of the tune. This is an illustration, not an archival photograph or a documented reconstruction of a recording session.
Generated with the native image-generation tool on 2026-10-08; original editorial artwork, not a historical photograph.
Prompt: Original editorial feature illustration for After You've Gone. Make a bold two-colour linocut in russet and ivory: an unoccupied street bending away through five rhythmic groups of architectural shapes, a small guitar-shaped shadow and a departing bicycle silhouette suggesting the title’s absence and forward swing. Treat this as a lyrical title metaphor, not a historical journey or session. Open lateral composition, carved texture, the musical turn from brightness into a quieter shaded bend. No portrait. Original Djangopedia editorial illustration, clearly non-photographic. Do not copy a photograph, known artwork or specific artist. Landscape 1536 by 1024 feature image, important subjects within the middle 75% for responsive hero cropping. No lettering, numbers, musical notation glyphs, logos, signature, watermark, fake archival markings, caption or border. One finished candidate only.
Research & rights notes
Exact original composition date and registered credits where not independently sourced
Legacy date/matrix extraction and personnel spelling
Chart variants and specialist review of editorial music analysis
Photograph rights are documented separately in its credit. They do not establish the rights status of the composition or recording.
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Angelo Debarre - After you've gone (Selmer Guitar)Angelo Debarre, Serge Camps and Frank Anastasio · Henri SELMER ParisBal Blomet reunion — Selmer session · Watch-page identity, tune, performers and Gypsy jazz context checked 2026-10-07; date/session details remain source claims.Reunion performance by the Gypsy Guitars trio at Bal Blomet, published by Henri SELMER Paris. The original album’s year is not assigned to this later performance.✓ Featured
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