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Player guide

Nuit de St.Germain Des Pres

Late Django with a bebop character: learn the chromatic movement slowly, then keep the E-flat melody clear at session tempo.

If you study one thing

Loop two bars of chromatic movement at half the intended tempo, keeping one fingering position.

Original illustration: A musician carrying a guitar case along a Paris street lit by jazz-club windows.
Original Djangopedia illustration · AI-assisted, 2026
Illustration credits
Chart keyE♭ major (inherited chart and documented recording practice)
Form32-bar AABA study form
FeelSwing
Meter4/4
MusicDjango Reinhardt
Guide coverage11 / 12 sections present

Owner content reviewed — 2026-10-15T13:12:32Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.

See what is here and what is missing
  • ✓ Recording evidence
  • ✓ Key & form
  • ✓ Chart
  • ✓ History
  • ✓ Playing notes
  • ✓ Practice plan
  • ✓ Backing track
  • ✓ Django recording
  • ○ Django solo study aid
  • ✓ Illustration
  • ✓ Sources
  • ✓ Difficulty

Django's Recordings

Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.

2 historical recording entries · source text preserved
EntryYearRecording / session / release evidenceListen
011952Nuit de St.Germain Des Pres, 30/1/52, P 1182 ,"DRG 8473,Musidisc 403222"," - Paris - Django Reinhardt (elg), Roger Guerin (tpt), Hubert Fol (as), Raymond Fol (p), Barney Spieler (b), Pierre Lemarchand (d)"—
021952Nuit de St.Germain Des Pres, 1952, Vogue 228E 6010," - Paris - Django Reinhardt (elg), Hubert Fol (as), Sadi Lallemand (vib), Maurice Vander (p), Pierre Michelot (b), Pierre Lemarchand (d)"—

A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.

History & Listening

Nuits de Saint-Germain-des-Prés belongs to Django's late, bebop-facing repertoire. This identity preserves a 30 January 1952 Decca entry, matrix P 1182, and a separate 1952 broadcast row. Django in June recommends learning the E-flat version before exploring G-major performances. The archive also contains a differently spelled Saint-Germaine identity; it is retained untouched rather than silently merged. This guide develops only the requested stable identity.

Tune details

Music: Django Reinhardt

Documented in archive: 1952

Original key: Not established

Study level: Advanced; chromatic movement and brisk melodic articulation

Melody & head

  • Compare the late Django recording's attack and rhythmic density with a modern acoustic ensemble.
  • Starting in G when the rhythm section expects E-flat, or treating a general modern solo as Django's transcription.

Study the inherited Django recording evidence ↗

Compare the late Django recording's attack and rhythmic density with a modern acoustic ensemble.

Session evidence

Nuit de St.Germain Des Pres, 30/1/52, P 1182 ,"DRG 8473,Musidisc 403222"," - Paris - Django Reinhardt (elg), Roger Guerin (tpt), Hubert Fol (as), Raymond Fol (p), Barney Spieler (b), Pierre Lemarchand (d)"

Study the proposed backing arrangement ↗

The E-flat study chart contains chromatic minor-chord motion around Fm–F♯m–Gm and a contrasting A-flat area. Hear the chromatic movement as connected voices while keeping the long AABA form intact. The melody deserves slow study before the tune is taken at session speed. Check the video key before playing with the chart.

Chart & Form

The E-flat study chart contains chromatic minor-chord motion around Fm–F♯m–Gm and a contrasting A-flat area. Hear the chromatic movement as connected voices while keeping the long AABA form intact. The melody deserves slow study before the tune is taken at session speed.

Inherited chart and both recording rows preserved. No reliable Django-solo recreation was established; the gap remains.

Inherited text chart
1Fm
2Fm/ F#m
3Gm
4Gm/ Gbm
5Fm
6Bb7
7Eb/ Fm
8Gm/ Gb7
9Fm
10Fm/ F#m
11Gm
12Gm/ Gbm
13Fm
14Bb7
15Eb/ Fm
16Eb
17Bbm
18Eb7
19Ab
20Ab
21Cm
22F7
23Fm
24Bb7/ Bb0
25Fm
26Fm/ F#m
27Gm
28Gm/ Gbm
29Fm
30Bb7
31Eb/ Fm
32Eb :
Original chart text & notation
[[Image:Nuits_st_germain.gif]]

| Fm/// | Fm/ F#m/ | Gm/// | Gm/ Gbm/ | Fm/// | Bb7/// | Eb/ Fm/ | Gm/ Gb7/ |

| Fm/// | Fm/ F#m/ | Gm/// | Gm/ Gbm/ | Fm/// | Bb7/// | Eb/ Fm/ | Eb |

| Bbm/// | Eb7/// | Ab/// | Ab/// | Cm/// | F7/// | Fm/// | Bb7/ Bb0/ |

| Fm/// | Fm/ F#m/ | Gm/// | Gm/ Gbm/ | Fm/// | Bb7/// | Eb/ Fm/ | Eb :||
Original source ↗

Play along

Study Django's Solo

Performed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.

No Django solo study aid yet. Know a useful resource — or want to record a study of this solo?

Similar tunes

Behind the illustration

Original illustration: A musician carrying a guitar case along a Paris street lit by jazz-club windows.

Original AI-assisted editorial artwork inspired by the tune’s mood. It does not depict a documented historical event.

Original Djangopedia illustration · AI-assisted, 2026

Illustration credits & provenance →

Notable Gypsy Jazz Performances

Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.

Improvisation

Target notes & voice leading

  • Follow semitone motion between the minor-chord shapes without losing the top voice.
  • G defines E♭ major; C defines the A-flat area.
  • Hear the final dominant resolution as the return to the opening phrase.

Pitch choices

  • Begin with the named chord tones. Add passing notes only after the melody and cadence are secure.

Loop two bars of chromatic movement at half the intended tempo, keeping one fingering position. Then play the full melody slowly and name the bridge entry before increasing speed.

Comping & voicings

Use economical voicings and a light pulse; fast chromatic movement becomes muddy when every chord has six strings. Agree the key before counting in, since G-major versions also circulate.

Voicing note sets

  • E♭6: E♭–G–B♭–C; A♭6: A♭–C–E♭–F.
  • Fm: F–A♭–C; F♯m: F♯–A–C♯; Gm: G–B♭–D.

Keep the accompaniment clear

  • First establish an even pulse; add rhythmic variation only when the melody leaves space.
  • Starting in G when the rhythm section expects E-flat, or treating a general modern solo as Django's transcription.

Practice room

Start at 100–120; work toward the 200-bpm play-along

Your assignment

Loop two bars of chromatic movement at half the intended tempo, keeping one fingering position. Then play the full melody slowly and name the bridge entry before increasing speed.

Loop these changes

  • Fm → F♯m → Gm
  • Bridge in A♭ → final A in E♭

Metronome

Count quarter notes first. Then place the click on beats 2 and 4 at half the click rate, keeping the phrase length unchanged.

Transposition

  • Move one short cadence to a nearby key by naming its chord tones, then return to the chosen study key.

At the session

E♭ major (inherited chart and documented recording practice); 32-bar AABA study form. Agree the arrangement, pickup and ending before counting in.

Start together

  • Count a clear tempo and use the final cadence of the agreed arrangement.

Finish together

  • Cue the final tonic together; agree any tag before starting.

Starting in G when the rhythm section expects E-flat, or treating a general modern solo as Django's transcription.

  • Starting in G when the rhythm section expects E-flat, or treating a general modern solo as Django's transcription.

Arranging the tune

Solo guitar

Keep the melody uppermost and begin with a single bass note under each harmony. E♭6: E♭–G–B♭–C; A♭6: A♭–C–E♭–F.

Trio or larger group

Use economical voicings and a light pulse; fast chromatic movement becomes muddy when every chord has six strings. Agree the key before counting in, since G-major versions also circulate.

Vocal considerations

No vocal arrangement is prescribed; use the instrumental melody as the phrasing reference.

Inherited media links

Sources & credits

This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.

Djangopedia legacy page ↗

Django in June — Nuits de Saint-Germain-des-Prés ↗

  • Late Django composition; E-flat and G-major practice versions.

Bayard Musique — Le dernier Django ↗

  • Late electric and bebop-period context.
Illustration credit & provenance

Original Djangopedia illustration · AI-assisted, 2026

Original AI-assisted editorial artwork inspired by the tune’s mood. It does not depict a documented historical event.

Generated with the native image-generation tool on 2026-10-15; original editorial artwork, not a historical photograph.

Prompt: Original Djangopedia jazz-guide illustration for Nuit de Saint-Germain-des-Prés. Landscape 1536x1024 3:2. Evocative 1950s Paris night street seen diagonally: angular tall buildings, glowing basement jazz-club windows with tiny musicians, a lone figure carrying a guitar case past an amber streetlamp, rainlike geometric reflections. Focus on architecture and atmosphere, not portraits. Broad Art Deco and mid-century modern print design, flat deep navy, soft violet, muted turquoise, mustard and warm cream, bold angular silhouettes, fine vintage paper grain. Lively but balanced spatial rhythm, no photographic realism, no documented-event claim. Original composition, no particular artist imitation, no text, lettering, logos, readable signs or watermark.

Research & rights notes
  • Composition date is not asserted; 1952 is the recorded evidence.
  • No sufficiently supported Django-solo study video found in this bounded search.
  • The alternate Saint-Germaine archive identity remains separate.
  • Original composition/recording rights not independently cleared. Video metadata and musical suitability are separate checks.