Tune details
Music: Duke Ellington
Words: Manny Kurtz, Irving Mills
Source-attributed publication / composition: 1935
Original key: Not established
Study level: Intermediate to advanced; line clichés and distant bridge
A descending inner voice, lyrical melody and contrasting bridge make a compact lesson in expressive voice leading.
Sustain an upper melody note while playing the descending inner line slowly.

Owner content reviewed — 2026-10-18T10:57:14Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.
Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.
Django Reinhardt
source-described; accuracy not independently verified
Uploader identifies this as Django Reinhardt’s performance; recording date and take require comparison with the discography.
| Entry | Year | Recording / session / release evidence | Listen |
|---|---|---|---|
| 01 | 1937 | In A Sentimental Mood, 26/4/37, OLA 1718-1 ,"Fremeaux FA 305, Affinity AFS 1003, Classics 748, Conifer HD 206, EMI 780671-2, Mosaic MD6-190(6 CD Set).", Paris - QHCF | — |
A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.
The Smithsonian preserves 1935 materials for Duke Ellington’s In a Sentimental Mood. The published song credits include lyrics by Manny Kurtz and Irving Mills. The inherited Django performance is dated 26 April 1937. A Gottlieb photograph of Django beside Ellington is proposed as an editorial connection between musicians; it does not document this tune being played. The existing Tessa Spaaij transcription remains unchanged.
Music: Duke Ellington
Words: Manny Kurtz, Irving Mills
Source-attributed publication / composition: 1935
Original key: Not established
Study level: Intermediate to advanced; line clichés and distant bridge
Compare how the descending inner line supports the melody, then listen for the bridge’s change of colour before following the solo notes.
In A Sentimental Mood, 26/4/37, OLA 1718-1 ,"Fremeaux FA 305, Affinity AFS 1003, Classics 748, Conifer HD 206, EMI 780671-2, Mosaic MD6-190(6 CD Set).", Paris - QHCF
The opening Dm–Dm(maj7)–Dm7–Dm6 makes a descending D–C-sharp–C–B inner line audible against D minor. The G-minor passage has a related movement. The bridge’s D-flat-major area changes the tonal landscape before Gm7–C7 leads back. The inherited symbol DdM7 is a transcription typo or ambiguity: retain the raw evidence but confirm that bar with the chosen arrangement. Check the video key before playing with the chart.
The opening Dm–Dm(maj7)–Dm7–Dm6 makes a descending D–C-sharp–C–B inner line audible against D minor. The G-minor passage has a related movement. The bridge’s D-flat-major area changes the tonal landscape before Gm7–C7 leads back. The inherited symbol DdM7 is a transcription typo or ambiguity: retain the raw evidence but confirm that bar with the chosen arrangement.
Inherited chart is preserved verbatim as historical study material, not silently corrected or newly authenticated. Check the specific caveats below and match the arrangement and key to the selected video. External teaching material remains on its creator’s site.
| Dm/ Dm(M7)/ | Dm7/ Dm6/ | Gm/ Gm(M7)/ | Gm7/ Em7b5 A7| | Dm6/// | D7/// | Gm7/ Gb7/ | FM7/// | | Dm/ Dm(M7)/ | Dm7/ Dm6/ | Gm/ Gm(M7)/ | Gm7/ Em7b5 Eb9| | Dm6/// | D7/// | Gm7/ Gb7/ | FM7/ Ab7/ | | DbM7/ Bbm7/ | Ebm7/ Ab7/ | DdM7/ Bb7/ | Eb7/ Ab7/ | | DbM7/ Bbm7/ | Ebm7/ Ab7/ | Gm7/// | C7/// | | Dm/ Dm(M7)/ | Dm7/ Dm6/ | Gm/ Gm(M7)/ | Gm7/ Em7b5 A7| | Dm6/// | D7/// | Gm7/ C7/ | F6/ Em7b5 A7 |:|| Dm11 |Original source ↗
Werner Schmedding
2m57s · Video available when checked; creator-described attribution.
Werner Schmedding credits Andy Bowen for this backing and supplies a sheet-music study reference. Check arrangement and key against the inherited chart.
If playback is unavailable, use the source link.
Performed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.
Tessa Spaaij
source-described; accuracy not independently verified
Creator presents a study of Django’s recorded solo. Use it alongside the original recording; exact transcription accuracy has not been independently reviewed.
If playback is unavailable, use the source link.
Follow a shared key, a harmonic idea or a familiar form. Keys refer to this site’s chart editions; other recordings may use a different key.
No sufficiently supported harmonic comparison has been added yet.
Showing 8 of 38 matches. Explore the full catalogue →
Showing 8 of 83 matches. Explore the full catalogue →
Editorial reuse of a verified Gottlieb photograph already in the Djangopedia gallery. This image is not claimed to depict this tune or its recording session.
Part of William P. Gottlieb’s documented Aquarium photographs in New York, circa November 1946. The catalogue supplies the location and approximate date; this is not evidence of a particular tune being played.
Explore this photograph, its context & credits →Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.
Joscho Stephan
Video available when checked; creator-described attribution.
Medley: In a Sentimental Mood followed by Clair de Lune, performed by Stochelo Rosenberg and Joscho Stephan. Not a tune-only continuous backing.
If playback is unavailable, use the source link.
In a sentimental mood & Claire de lune (Stochelo Rosenberg & Joscho Stephan)Joscho StephanVideo available when checked; creator-described attribution.Medley: In a Sentimental Mood followed by Clair de Lune, performed by Stochelo Rosenberg and Joscho Stephan. Not a tune-only continuous backing.✓ Featured
𝐁𝐢𝐫𝐞́𝐥𝐢 𝐋𝐚𝐠𝐫𝐞̀𝐧𝐞 & 𝐆𝐢𝐮𝐬𝐞𝐩𝐩𝐞 𝐂𝐨𝐧𝐭𝐢𝐧𝐞𝐧𝐳𝐚 - In a Sentimental MoodGiuseppe ContinenzaVideo available when checked; creator-described attribution.Performer attribution follows the video title and channel description. Proposed listening selection; no popularity ranking implied.Select videoSustain an upper melody note while playing the descending inner line slowly. Then play only the bridge’s melody and bass notes. Join the bridge to the final A at half tempo without a pause or extra beat.
Use quiet sustained shells for a ballad reading, or light short strokes for a swung version. Follow the soloist’s arrangement rather than imposing both at once.
Begin at 55–75 bpm; preserve the long phrase
Sustain an upper melody note while playing the descending inner line slowly. Then play only the bridge’s melody and bass notes. Join the bridge to the final A at half tempo without a pause or extra beat.
Count quarter notes first. Then place the click on beats 2 and 4 at half the click rate, keeping the phrase length unchanged.
D minor / F major (inherited study chart); 32-bar AABA refrain with D-flat-major bridge. Agree the arrangement, pickup and ending before counting in.
The Stochelo/Joscho selection is a medley with Clair de Lune. Stop or follow the new form when the tune changes.
Keep the melody uppermost and begin with a single bass note under each harmony. Hold D and F as stable D-minor tones while moving the upper inner voice; avoid squeezing every possible extension into the grip.
Use quiet sustained shells for a ballad reading, or light short strokes for a swung version. Follow the soloist’s arrangement rather than imposing both at once.
Choose a comfortable singing key and transpose the accompaniment as a whole; lyrics are not reproduced here.
This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.
Smithsonian — 1935 manuscripts ↗
Smithsonian — Sophisticated Ladies playbill ↗
Preserved Djangopedia archive ↗
Existing Django listening reference ↗
William P. Gottlieb / Library of Congress · Aquarium, New York, N.Y. · circa November 1946
Gottlieb collection photographs entered the public domain on February 16, 2010, according to the source file page.
Photograph source ↗ · Rights details ↗Used to illustrate Django’s life; no connection to this tune’s recording session is claimed.