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Player guide

In A Sentimental Mood

A descending inner voice, lyrical melody and contrasting bridge make a compact lesson in expressive voice leading.

If you study one thing

Sustain an upper melody note while playing the descending inner line slowly.

Django Reinhardt standing beside Duke Ellington at a piano at the Aquarium, New York, circa November 1946.
William P. Gottlieb / Library of Congress
Aquarium, New York, N.Y. · circa November 1946 · Photo credits
Chart keyD minor / F major (inherited study chart)
Form32-bar AABA refrain with D-flat-major bridge
FeelBallad / gentle swing
Meter4/4
MusicDuke Ellington
Guide coverage12 / 12 sections present

Owner content reviewed — 2026-10-18T10:57:14Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.

See what is here and what is missing
  • ✓ Recording evidence
  • ✓ Key & form
  • ✓ Chart
  • ✓ History
  • ✓ Playing notes
  • ✓ Practice plan
  • ✓ Backing track
  • ✓ Django recording
  • ✓ Django solo study aid
  • ✓ Photograph
  • ✓ Sources
  • ✓ Difficulty

Django's Recordings

Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.

1 historical recording entries · source text preserved
EntryYearRecording / session / release evidenceListen
011937In A Sentimental Mood, 26/4/37, OLA 1718-1 ,"Fremeaux FA 305, Affinity AFS 1003, Classics 748, Conifer HD 206, EMI 780671-2, Mosaic MD6-190(6 CD Set).", Paris - QHCF—

A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.

History & Listening

The Smithsonian preserves 1935 materials for Duke Ellington’s In a Sentimental Mood. The published song credits include lyrics by Manny Kurtz and Irving Mills. The inherited Django performance is dated 26 April 1937. A Gottlieb photograph of Django beside Ellington is proposed as an editorial connection between musicians; it does not document this tune being played. The existing Tessa Spaaij transcription remains unchanged.

Tune details

Music: Duke Ellington

Words: Manny Kurtz, Irving Mills

Source-attributed publication / composition: 1935

Original key: Not established

Study level: Intermediate to advanced; line clichés and distant bridge

Melody & head

  • Compare how the descending inner line supports the melody, then listen for the bridge’s change of colour before following the solo notes.
  • The Stochelo/Joscho selection is a medley with Clair de Lune. Stop or follow the new form when the tune changes.

Study the inherited Django recording evidence ↗

Compare how the descending inner line supports the melody, then listen for the bridge’s change of colour before following the solo notes.

Session evidence

In A Sentimental Mood, 26/4/37, OLA 1718-1 ,"Fremeaux FA 305, Affinity AFS 1003, Classics 748, Conifer HD 206, EMI 780671-2, Mosaic MD6-190(6 CD Set).", Paris - QHCF

Study the proposed backing arrangement ↗

The opening Dm–Dm(maj7)–Dm7–Dm6 makes a descending D–C-sharp–C–B inner line audible against D minor. The G-minor passage has a related movement. The bridge’s D-flat-major area changes the tonal landscape before Gm7–C7 leads back. The inherited symbol DdM7 is a transcription typo or ambiguity: retain the raw evidence but confirm that bar with the chosen arrangement. Check the video key before playing with the chart.

Chart & Form

The opening Dm–Dm(maj7)–Dm7–Dm6 makes a descending D–C-sharp–C–B inner line audible against D minor. The G-minor passage has a related movement. The bridge’s D-flat-major area changes the tonal landscape before Gm7–C7 leads back. The inherited symbol DdM7 is a transcription typo or ambiguity: retain the raw evidence but confirm that bar with the chosen arrangement.

Inherited chart is preserved verbatim as historical study material, not silently corrected or newly authenticated. Check the specific caveats below and match the arrangement and key to the selected video. External teaching material remains on its creator’s site.

Inherited text chart
1Dm/ Dm(M7)
2Dm7/ Dm6
3Gm/ Gm(M7)
4Gm7/ Em7b5 A7
5Dm6
6D7
7Gm7/ Gb7
8FM7
9Dm/ Dm(M7)
10Dm7/ Dm6
11Gm/ Gm(M7)
12Gm7/ Em7b5 Eb9
13Dm6
14D7
15Gm7/ Gb7
16FM7/ Ab7
17DbM7/ Bbm7
18Ebm7/ Ab7
19DdM7/ Bb7
20Eb7/ Ab7
21DbM7/ Bbm7
22Ebm7/ Ab7
23Gm7
24C7
25Dm/ Dm(M7)
26Dm7/ Dm6
27Gm/ Gm(M7)
28Gm7/ Em7b5 A7
29Dm6
30D7
31Gm7/ C7
32F6/ Em7b5 A7
33:
34Continue
35Dm11
Original chart text & notation
| Dm/ Dm(M7)/ | Dm7/ Dm6/ | Gm/ Gm(M7)/ | Gm7/ Em7b5 A7| 

| Dm6/// | D7/// | Gm7/ Gb7/ | FM7/// | 

| Dm/ Dm(M7)/ | Dm7/ Dm6/ | Gm/ Gm(M7)/ | Gm7/ Em7b5 Eb9| 

| Dm6/// | D7/// | Gm7/ Gb7/ | FM7/ Ab7/ | 

| DbM7/ Bbm7/ | Ebm7/ Ab7/ | DdM7/ Bb7/ | Eb7/ Ab7/ | 

| DbM7/ Bbm7/ | Ebm7/ Ab7/ | Gm7/// | C7/// | 

| Dm/ Dm(M7)/ | Dm7/ Dm6/ | Gm/ Gm(M7)/ | Gm7/ Em7b5 A7| 

| Dm6/// | D7/// | Gm7/ C7/ | F6/ Em7b5 A7 |:|| Dm11 |
Original source ↗

Play along

Study Django's Solo

Performed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.

Similar tunes

Behind the photograph

Editorial reuse of a verified Gottlieb photograph already in the Djangopedia gallery. This image is not claimed to depict this tune or its recording session.

Part of William P. Gottlieb’s documented Aquarium photographs in New York, circa November 1946. The catalogue supplies the location and approximate date; this is not evidence of a particular tune being played.

Explore this photograph, its context & credits →

Notable Gypsy Jazz Performances

Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.

Improvisation

Target notes & voice leading

  • D–C-sharp–C–B is the opening descending line, not four unrelated scale choices.
  • At the bridge, F and C identify D-flat major colour.

Pitch choices

  • Begin with the named chord tones. Add passing notes only after the melody and cadence are secure.

Sustain an upper melody note while playing the descending inner line slowly. Then play only the bridge’s melody and bass notes. Join the bridge to the final A at half tempo without a pause or extra beat.

Comping & voicings

Use quiet sustained shells for a ballad reading, or light short strokes for a swung version. Follow the soloist’s arrangement rather than imposing both at once.

Voicing note sets

  • Hold D and F as stable D-minor tones while moving the upper inner voice; avoid squeezing every possible extension into the grip.

Keep the accompaniment clear

  • First establish an even pulse; add rhythmic variation only when the melody leaves space.
  • The Stochelo/Joscho selection is a medley with Clair de Lune. Stop or follow the new form when the tune changes.

Practice room

Begin at 55–75 bpm; preserve the long phrase

Your assignment

Sustain an upper melody note while playing the descending inner line slowly. Then play only the bridge’s melody and bass notes. Join the bridge to the final A at half tempo without a pause or extra beat.

Loop these changes

  • Sustain an upper melody note while playing the descending inner line slowly.

Metronome

Count quarter notes first. Then place the click on beats 2 and 4 at half the click rate, keeping the phrase length unchanged.

Transposition

  • Move one short cadence to a nearby key by naming its chord tones, then return to the chosen study key.

At the session

D minor / F major (inherited study chart); 32-bar AABA refrain with D-flat-major bridge. Agree the arrangement, pickup and ending before counting in.

Start together

  • Count a clear tempo and use the final cadence of the agreed arrangement.

Finish together

  • Cue the final tonic together; agree any tag before starting.

The Stochelo/Joscho selection is a medley with Clair de Lune. Stop or follow the new form when the tune changes.

  • The Stochelo/Joscho selection is a medley with Clair de Lune. Stop or follow the new form when the tune changes.

Arranging the tune

Solo guitar

Keep the melody uppermost and begin with a single bass note under each harmony. Hold D and F as stable D-minor tones while moving the upper inner voice; avoid squeezing every possible extension into the grip.

Trio or larger group

Use quiet sustained shells for a ballad reading, or light short strokes for a swung version. Follow the soloist’s arrangement rather than imposing both at once.

Vocal considerations

Choose a comfortable singing key and transpose the accompaniment as a whole; lyrics are not reproduced here.

Inherited media links

Sources & credits

This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.

Djangopedia legacy page ↗

Smithsonian — 1935 manuscripts ↗

  • Ellington work and 1935 materials.

Smithsonian — Sophisticated Ladies playbill ↗

  • Kurtz/Mills lyric credits.

Preserved Djangopedia archive ↗

  • Inherited chart and historical recording evidence; not newly authenticated session data.

Existing Django listening reference ↗

  • Recording attribution and, where supplied, distributor credits; not a verified take association.
Photograph credit & rights

William P. Gottlieb / Library of Congress · Aquarium, New York, N.Y. · circa November 1946

Gottlieb collection photographs entered the public domain on February 16, 2010, according to the source file page.

Photograph source ↗ · Rights details ↗

Used to illustrate Django’s life; no connection to this tune’s recording session is claimed.

Research & rights notes
  • Inherited DdM7 symbol requires confirmation; raw chart is unchanged.
  • Featured modern selection is a medley, explicitly labelled.