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Player guide

Speevy

A challenging Django chart for tracing tonal destinations through chromatic dominant movement.

If you study one thing

Play only the destination tonics D, G and C while counting the full grid.

An acoustic guitarist and clarinetist race through angular zigzag ribbons, with a tilted double bass behind; witty graphic speed and changing directions.
Original AI-assisted illustration created for Djangopedia
Illustration credits
Chart keyD and C destinations in inherited grid
FormMulti-block inherited arrangement; do not assume a single AABA chorus
FeelSwing
Meter4/4 study pulse; confirm the arrangement
MusicDjango Reinhardt, Stéphane Grappelli
Guide coverage11 / 12 sections present

Owner content reviewed — 2026-10-19T04:10:15Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.

See what is here and what is missing
  • ✓ Recording evidence
  • ✓ Key & form
  • ✓ Chart
  • ✓ History
  • ✓ Playing notes
  • ✓ Practice plan
  • ✓ Backing track
  • ✓ Django recording
  • ○ Django solo study aid
  • ✓ Illustration
  • ✓ Sources
  • ✓ Difficulty

Django's Recordings

Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.

1 historical recording entries · source text preserved
EntryYearRecording / session / release evidenceListen
011937Speevy, 25/11/37, OLA 1988, "Fremeaux 306, Mosaic MD6-190(6 CD Set), JSP 904A."," - Paris - QHCF - Stephane Grappelly (v), Django Reinhardt, Joseph Reinhardt, Eugene Vees (g), Louis Vola (b)"—

A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.

History & Listening

Speevy appears in the publisher’s 1937 session sequence. The inherited chart contains several contrasted blocks and extended dominant symbols; the typed form is retained as source material.

Tune details

Music: Django Reinhardt, Stéphane Grappelli

Documented in archive: 1937

Original key: Not established

Study level: Intermediate; melody, pulse and arrangement awareness

Melody & head

  • A challenging Django chart for tracing tonal destinations through chromatic dominant movement.
  • The inherited block order and C+11 spelling require checking against the chosen performance.

Study the inherited Django recording evidence ↗

A challenging Django chart for tracing tonal destinations through chromatic dominant movement.

Session evidence

Speevy, 25/11/37, OLA 1988, "Fremeaux 306, Mosaic MD6-190(6 CD Set), JSP 904A."," - Paris - QHCF - Stephane Grappelly (v), Django Reinhardt, Joseph Reinhardt, Eugene Vees (g), Louis Vola (b)"

Study the proposed backing arrangement ↗

The opening A7/G#7 alternation leads to D, then D7 moves toward G. A later G7/F#7 block leads to C. Learn those destinations before attempting the chromatic dominant chains. Check the video key before playing with the chart.

Chart & Form

The opening A7/G#7 alternation leads to D, then D7 moves toward G. A later G7/F#7 block leads to C. Learn those destinations before attempting the chromatic dominant chains.

Inherited chart retained exactly. Harmonic comments refer to this edition; ambiguous symbols are flagged rather than silently corrected.

Inherited text chart
1A7
2A7/ G#7
3A7
4A7/ G#7
5A7/ C7
6B7/ Bb7
7D
8D/ C#7
9D7
10D7/ C#9
11D9
12D9/ D7
13G
14G
15C+11
16C+11/ G#7
17A7
18A7/ G#7
19A7
20A7/ G#7
21A7/ C7
22B7/ Bb7
23D
24D/ G#7/ :
25G7
26G7/ F#7
27G7
28G7/ F#7
29G7/ Bb7
30A7/ Ab7
31C
32C/ C#7
33D7
34D7/ C#9
35D9
36D9/ D7
37G
38G
39C+11
40C+11/ G#7
41A7
42A7/ G#7
43A7
44A7/ G#7
45A7/ C7
46B7/ Bb7
47D9
48D9
Original chart text & notation
[[Image:Speevy.gif]]

(G#7/) | A7/// | A7/ G#7/ | A7/// | A7/ G#7/ | A7/ C7/ | B7/ Bb7/ | F/// | A7/ G#7/ |

| A7/// | A7/ G#7/ | A7/// | A7/ G#7/ | A7/ C7/ | B7/ Bb7/ | D/// | D/ C#7/ |

| D7/// | D7/ C#9/ | D9/// | D9/ D7/ | G/// | G/// | C+11/// | C+11/ G#7/ |

| A7/// | A7/ G#7/ | A7/// | A7/ G#7/ | A7/ C7/ | B7/ Bb7/ | D/// | D/ G#7/ :||

last time:

(F#7/) | G7/// | G7/ F#7/ | G7/// | G7/ F#7/ | G7/ Bb7/ | A7/ Ab7/ | C/// | C/ F#7 |

| G7/// | G7/ F#7/ | G7/// | G7/ F#7/ | G7/ Bb7/ | A7/ Ab7/ | C/// | C/ C#7/ |

| D7/// | D7/ C#9/ | D9/// | D9/ D7/ | G/// | G/// | C+11/// | C+11/ G#7/ |

| A7/// | A7/ G#7/ | A7/// | A7/ G#7/ | A7/ C7/ | B7/ Bb7/ | D9/// | D9/ ||
Original source ↗

Play along

Study Django's Solo

Performed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.

No Django solo study aid yet. Know a useful resource — or want to record a study of this solo?

Similar tunes

Behind the illustration

An acoustic guitarist and clarinetist race through angular zigzag ribbons, with a tilted double bass behind; witty graphic speed and changing directions.

Original AI-assisted editorial artwork inspired by the tune’s mood. It does not depict a documented historical event.

Original AI-assisted illustration created for Djangopedia

Illustration credits & provenance →

Notable Gypsy Jazz Performances

Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.

Improvisation

Target notes & voice leading

  • The opening A7/G#7 alternation leads to D, then D7 moves toward G. A later G7/F#7 block leads to C. Learn those destinations before attempting the chromatic dominant chains.
  • Sing the destination note before playing the connecting phrase.

Pitch choices

  • Begin with the named chord tones. Add passing notes only after the melody and cadence are secure.

Play only the destination tonics D, G and C while counting the full grid. Add the preceding dominant’s third on the next pass, then connect one chromatic chain at a time.

Comping & voicings

Use compact voicings and a stable pulse through the half-bar dominant shifts. Treat C+11 as an unresolved source spelling until checked.

Voicing note sets

  • Use compact voicings and a stable pulse through the half-bar dominant shifts. Treat C+11 as an unresolved source spelling until checked.

Keep the accompaniment clear

  • First establish an even pulse; add rhythmic variation only when the melody leaves space.
  • The inherited block order and C+11 spelling require checking against the chosen performance.

Practice room

85–120 bpm initially; increase gradually

Your assignment

Play only the destination tonics D, G and C while counting the full grid. Add the preceding dominant’s third on the next pass, then connect one chromatic chain at a time.

Loop these changes

  • Play only the destination tonics D, G and C while counting the full grid. Add the preceding dominant’s third on the next pass, then connect one chromatic chain at a time.

Metronome

Count quarter notes first. Then place the click on beats 2 and 4 at half the click rate, keeping the phrase length unchanged.

Transposition

  • Move one short cadence to a nearby key by naming its chord tones, then return to the chosen study key.

At the session

D and C destinations in inherited grid; Multi-block inherited arrangement; do not assume a single AABA chorus. Agree the arrangement, pickup and ending before counting in.

Start together

  • Count a clear tempo and use the final cadence of the agreed arrangement.

Finish together

  • Cue the final tonic together; agree any tag before starting.

The inherited block order and C+11 spelling require checking against the chosen performance.

  • The inherited block order and C+11 spelling require checking against the chosen performance.

Arranging the tune

Solo guitar

Keep the melody uppermost and begin with a single bass note under each harmony. Use compact voicings and a stable pulse through the half-bar dominant shifts. Treat C+11 as an unresolved source spelling until checked.

Trio or larger group

Use compact voicings and a stable pulse through the half-bar dominant shifts. Treat C+11 as an unresolved source spelling until checked.

Vocal considerations

No vocal arrangement is prescribed; use the instrumental melody as the phrasing reference.

Inherited media links

Sources & credits

This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.

Djangopedia legacy page ↗

Reissue publisher discography and credits ↗

  • Source-attributed title, performer and recording context; not a claim that every inherited field is independently verified.

Inherited chart and recording evidence ↗

  • Original archive evidence retained.
Illustration credit & provenance

Original AI-assisted illustration created for Djangopedia

Original AI-assisted editorial artwork inspired by the tune’s mood. It does not depict a documented historical event.

Generated with the native image-generation tool on 2026-10-19; original editorial artwork, not a historical photograph.

Prompt: Use case: stylized-concept. Asset: horizontal 1536x1024, 3:2 Djangopedia tune illustration for Speevy. Original scene: An acoustic guitarist and clarinetist race through angular zigzag ribbons, with a tilted double bass behind; witty graphic speed and changing directions. Medium: authentic-feeling 1950s silk-screen editorial print, flat separate ink layers, boldly simplified shapes, long expressive angular silhouettes, spare wiry line accents, off-register overlaps, small areas of crosshatching, slight dry ink and paper texture. Strong asymmetric composition with generous negative space; witty and musical, sophisticated rather than children's cartoon. Limited palette: olive green, burnt orange, warm cream and black. All heads and instrument bodies wholly inside frame unless otherwise specified. No letters, words, numbers, captions, borders, logos, watermark, realistic shading, gradients or photographed paper. Invent an entirely new composition, not a reproduction of any existing print. No claim of a documented historical scene.

Research & rights notes
  • Exact video-to-matrix/take associations are not established. Historical rows remain inherited evidence.
  • The original composition/publication year has not been independently established for this guide; recording years are separate evidence.
  • No qualifying Django solo-study recreation selected. Other players’ solos and melody lessons do not fill this gap.