Tune details
Music: Jimmy McHugh
Words: Dorothy Fields
Source-attributed publication / composition: 1935
Original key: Not established
Study level: Intermediate; loop dm, dm(maj7) and dm7 using a sustained d on top and c-sharp–c as the moving voice
A useful C-major ballad study in chromatic inner voices and gentle dominant resolution.
Loop Dm, Dm(maj7) and Dm7 using a sustained D on top and C-sharp–C as the moving voice.

Owner content reviewed — 2026-10-18T23:08:25Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.
Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.
No Django listening resource has been added.
| Entry | Year | Recording / session / release evidence | Listen |
|---|---|---|---|
| 01 | 1949 | I'm In The Mood For Love, Jan-Feb 1949, CW 46 ,( unissued )," - Rome - Django Reinhardt (g), Stephane Grappelly (v),Gianni Safred (p), Carlo Pecori (b), Aurelio de Carolis (d)" | — |
A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.
McHugh and Fields wrote this 1935 standard. Its title is distinct from Are You in the Mood; similarly named search results were excluded. A reliable Django-listening upload remains unconfirmed.
Music: Jimmy McHugh
Words: Dorothy Fields
Source-attributed publication / composition: 1935
Original key: Not established
Study level: Intermediate; loop dm, dm(maj7) and dm7 using a sustained d on top and c-sharp–c as the moving voice
A useful C-major ballad study in chromatic inner voices and gentle dominant resolution.
I'm In The Mood For Love, Jan-Feb 1949, CW 46 ,( unissued )," - Rome - Django Reinhardt (g), Stephane Grappelly (v),Gianni Safred (p), Carlo Pecori (b), Aurelio de Carolis (d)"
The C-major grid mixes secondary dominants with diminished passing chords. Hear D–F–A over D minor, then the changing inner voice in Dm–Dm(maj7)–Dm7; keep the bridge’s B7–Em resolution distinct from the home key. Check the video key before playing with the chart.
The C-major grid mixes secondary dominants with diminished passing chords. Hear D–F–A over D minor, then the changing inner voice in Dm–Dm(maj7)–Dm7; keep the bridge’s B7–Em resolution distinct from the home key.
Inherited archive chart retained without harmonic or notation edits. The playing notes below discuss this particular version, not a definitive score.
| C/ Am/ | D/ G7/ | D/ G7/ | C/ Dm D#0 | Em/ Eb0/ | Dm/ Dm(7M)/ | Dm7/ G7/ | Em A7 Dm G7 | | C/ Am/ | D/ G7/ | D/ G7/ | C/ Dm D#0 | Em/ Eb0/ | Dm/ Dm(7M)/ | Dm7/ G7/ | C/// | | Dm/ G7/ | C/ A7/ | D0/ G7/ | C/// | F#0/ B7/ | Em/// | A0/ D7/ | D0/ G7/ | | C/ Am/ | D/ G7/ | D/ G7/ | C/ Dm D#0 | Em/ Eb0/ | Dm/ Dm(7M)/ | Dm7/ G7/ | C/// |Original source ↗
MrSunnybass
Swing · 108 BPM · 6m27s · Video available when checked; creator-described attribution.
Creator-provided play-along; instrumentation and feel vary by selection. Check the key and full arrangement before joining in; the guide chart may use another key. Tempo is the creator’s stated value.
If playback is unavailable, use the source link.
I’m In The Mood For Love Bass Line Play Along Backing TrackMrSunnybassSwing · 108 BPM · 6m27s · Video available when checked; creator-described attribution.Creator-provided play-along; instrumentation and feel vary by selection. Check the key and full arrangement before joining in; the guide chart may use another key. Tempo is the creator’s stated value.✓ Featured
I'm in the Mood for Love - Backing Track with Sheet Music for Tenor SaxYasuhiro Fujii4m3s · Video available when checked; creator-described attribution.Backing with notation for tenor saxophone. Written tenor-sax pitches are transposed; guitarists must check concert key before using the displayed score.Select videoPerformed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.
No Django solo study aid yet. Know a useful resource — or want to record a study of this solo?
Follow a shared key, a harmonic idea or a familiar form. Keys refer to this site’s chart editions; other recordings may use a different key.
No sufficiently supported harmonic comparison has been added yet.
No match is established in the current chart metadata.
Showing 8 of 85 matches. Explore the full catalogue →
Original serigraph-style illustration for i m in the mood for love
Original AI-assisted editorial artwork inspired by the tune’s mood. It does not depict a documented historical event.
Original AI-assisted illustration created for Djangopedia
Illustration credits & provenance →Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.
Christien van Helden
Video available when checked; creator-described attribution.
Performer attribution follows the video title and channel description. Proposed listening selection; no popularity ranking implied.
If playback is unavailable, use the source link.
Fapy Lafertin, Paulus Schäfer & Nico Schäfer - I'm in the mood for loveChristien van HeldenVideo available when checked; creator-described attribution.Performer attribution follows the video title and channel description. Proposed listening selection; no popularity ranking implied.✓ Featured
I'm in the Mood for LoveJimmy Rosenberg - TopicVideo available when checked; creator-described attribution.Performer attribution follows the video title and channel description. Proposed listening selection; no popularity ranking implied.Select video
I'm In The Mood For LoveDate BrothersVideo available when checked; creator-described attribution.Performer attribution follows the video title and channel description. Proposed listening selection; no popularity ranking implied.Select videoLoop Dm, Dm(maj7) and Dm7 using a sustained D on top and C-sharp–C as the moving voice. Then place that sound back into the full A section.
Keep the descending minor-chord voice audible with small voicings. Do not replace every passing diminished chord with a loud six-string grip.
60–100 bpm
Loop Dm, Dm(maj7) and Dm7 using a sustained D on top and C-sharp–C as the moving voice. Then place that sound back into the full A section.
Count quarter notes first. Then place the click on beats 2 and 4 at half the click rate, keeping the phrase length unchanged.
C; 32-bar AABA in the inherited chart. Agree the arrangement, pickup and ending before counting in.
Are You in the Mood is a different tune. The inherited recording claim is retained as archive evidence, not independently authenticated here.
Keep the melody uppermost and begin with a single bass note under each harmony. Keep the descending minor-chord voice audible with small voicings. Do not replace every passing diminished chord with a loud six-string grip.
Keep the descending minor-chord voice audible with small voicings. Do not replace every passing diminished chord with a loud six-string grip.
Choose a comfortable singing key and transpose the accompaniment as a whole; lyrics are not reproduced here.
This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.
Credit / historical reference ↗
Inherited Djangopedia chart and recording evidence ↗
Original AI-assisted illustration created for Djangopedia
Original AI-assisted editorial artwork inspired by the tune’s mood. It does not depict a documented historical event.
Generated with the native image-generation tool on 2026-10-18; original editorial artwork, not a historical photograph.
Prompt: Original 1536x1024 horizontal 3:2 editorial serigraph for the jazz tune i m in the mood for love. An anonymous guitarist beneath a flowering balcony at dusk, two warmly lit windows and a gentle crescent. Match the Stage 6C visual vocabulary: bold simplified angular silhouettes, asymmetrical negative space, flat limited ink palette of wine red, dusty pink, midnight blue and cream, rough ink edges, tactile paper grain, restrained whimsical mid-century shapes. Handmade silk-screen print, crisp graphic design, no gradients, no photorealism, no text or lettering, no border. Entirely original scene, no claim of historical event. Keep all heads and musical instruments inside frame.