A compact Django tune whose repeated major-key cadences contrast with a distinctive F♯-minor-coloured bridge. Extended dominant symbols invite careful voicing choices rather than maximum density.
If you study one thing
Learn the bridge's G♯m6 colour by ear and spelling.
Owner content reviewed — 2026-10-05T18:25:04Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.
See what is here and what is missing
✓ Recording evidence
✓ Key & form
✓ Chart
✓ History
✓ Playing notes
✓ Practice plan
✓ Backing track
✓ Django recording
✓ Django solo study aid
✓ Illustration
✓ Sources
✓ Difficulty
Django's Recordings
Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.
2 historical recording entries · source text preserved
Entry
Year
Recording / session / release evidence
Listen
01
1947
Peche a la Mouche, 16/4/47, ST 1986 ,"Fremeaux FA 313, Classics 1001,Verve 835 418-1","Same date - Django Reinhardt (g), Michel de Villers (cl,as), Eddie Bernard (p), Joseph Reinhardt (g), Willy Lockwood (b), Al Craig (d)"
—
02
1947
Peche a la Mouche, 8-13/11/47, "Fremeaux FA 315, Vogue 228E 6007, Legacy 411"," - Paris - Souvenirs de Django Reinhardt - Django Reinhardt (elg), Gerard Leveque (cl), Eugene Vees (g), Emmanuel Soudieux (b), Andre Jourdan (d)"
—
A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.
History & Listening
Peche a la Mouche is credited here to Django Reinhardt. The inherited archive lists 2 recording entries, with dated entries spanning 1947–1947. These are archive rows, not a claim that every entry is a distinct released take. The linked recording rows preserve the original discographical wording. Compare their dates, matrices and personnel when choosing a performance to study.
Tune details
Music: Django Reinhardt
Documented in archive: 1947
Original key: Not established
Study level: Intermediate; advanced where the inherited roadmap needs reconstruction
Melody & head
Keep the repeated cadence figures distinct through articulation and breathing.
Listening task: Keep the repeated cadence figures distinct through articulation and breathing. Mark the key, pickup, phrase lengths and ending before comparing another version.
Session evidence
Peche a la Mouche, 16/4/47, ST 1986 ,"Fremeaux FA 313, Classics 1001,Verve 835 418-1","Same date - Django Reinhardt (g), Michel de Villers (cl,as), Eddie Bernard (p), Joseph Reinhardt (g), Willy Lockwood (b), Al Craig (d)"
Compare the first and last listed entries for tempo, instrumentation and arrangement. Do not infer identical takes from a shared title. Learn the bridge's G♯m6 colour by ear and spelling.
Session evidence
Peche a la Mouche, 8-13/11/47, "Fremeaux FA 315, Vogue 228E 6007, Legacy 411"," - Paris - Souvenirs de Django Reinhardt - Django Reinhardt (elg), Gerard Leveque (cl), Eugene Vees (g), Emmanuel Soudieux (b), Andre Jourdan (d)"
The inherited chart is in D major. Confirm the backing track’s sounding key, pickup and complete form before playing; an instrument label may describe a transposed score.
Chart & Form
Em7–A13♭9 reaches D6/9, often followed by B7. B♭7 approaches A7 at phrase endings; the bridge alternates F♯m7 and G♯m6 before B7–Em7–A7.
Chord symbols and source cell divisions are preserved from Djangopedia. Slashes mark rhythm; 0 is inherited diminished notation whose exact voicing should be checked against the melody. This is a chord reference, not a melody transcription.
Pêche à la mouche (210 bpm) - Gypsy jazz Backing track / Jazz manouche
Guitare Improvisation
The inherited chart is in D major. Confirm the backing track’s sounding key, pickup and complete form before playing; an instrument label may describe a transposed score. · 6:17
Peche a la Mouche - Django Reinhardt Solo | Gypsy Jazz Guitar Tabs
DjangoKOR
source-described; accuracy not independently verified
Creator presents a study of Django’s recorded solo. Use it alongside the original recording; exact transcription accuracy has not been independently reviewed.
Owner-selected illustration. A relaxed adult fly-fisher casts a line that curls into six guitar strings above a quiet river; a small fish peers up with an amused eye. Elegant casting rhythm and Django's title metaphor, spare print, no naturalistic landscape.
Original AI-assisted editorial artwork inspired by the tune; not a documented historical scene.
Original AI-assisted illustration created for Djangopedia
Hear D♯ in G♯m6 against D natural elsewhere in the D-major environment.
Pitch choices
Start with the chord tones of each written harmony. Resolve G on A7 into F♯ over D.
Use passing notes only after the destination chord and phrase length are secure; this guide does not assign one scale indiscriminately to the whole tune.
Loop the A-section cadence with a two-note guide line. Then practise the bridge's two chords slowly, singing D♯ and E♯ before increasing tempo.
Comping & voicings
Reduce the altered dominants to thirds and sevenths first. Keep the bridge's alternating voicings in one register and avoid a heavy attack on every half-bar change.
Keep a quiet, even swing pulse, adjusting its density to the melody and ensemble.
Practise one chorus with only two chord attacks per bar, then restore four without changing tempo.
Reading G♯m6 as an ordinary G♯m7 or omitting the raised sixth without hearing the result.
Crowding the melody with dense extensions or doubling another accompanist’s register.
Practice room
Start around 100–140 bpm; increase only after the form stays secure
Your assignment
Loop the A-section cadence with a two-note guide line. Then practise the bridge's two chords slowly, singing D♯ and E♯ before increasing tempo.
Loop these changes
Resolve G on A7 into F♯ over D.
Hear D♯ in G♯m6 against D natural elsewhere in the D-major environment.
Metronome
Begin with four quarter-note clicks. Halve the click rate and hear beats 2 and 4 while maintaining the same phrase lengths.
Transposition
Transpose the first complete phrase up a whole step, including its cadence. Name chord functions before finding new fingerings.
Return to D major and play the melodic phrase from memory.
At the session
Peche a la Mouche — D major; 32 bars, AABA in the inherited chart. Agree the pickup, tempo and ending before counting in.
Start together
Suggested rehearsal entry: give two clear bars of count-in and start the agreed pickup or first melody note. This is not claimed as a historical Django introduction.
Finish together
Agree a final melody statement and hold its tonic arrival; remove any turnaround intended to restart the chorus. Check the chosen arrangement for tags or a separate coda.
32 bars, AABA in the inherited chart. Keep the head and solo chorus lengths explicit at the count-in.
Reading G♯m6 as an ordinary G♯m7 or omitting the raised sixth without hearing the result.
Arranging the tune
Solo guitar
Start with melody and bass only. Add the following colour without interrupting the melody: Resolve G on A7 into F♯ over D.
Trio or larger group
Reduce the altered dominants to thirds and sevenths first. Keep the bridge's alternating voicings in one register and avoid a heavy attack on every half-bar change. Agree the full roadmap and signal the last head before it starts.
Vocal considerations
This guide focuses on the instrumental arrangement; any lyric adaptation needs separate credit and a chosen key.
Further study
Compare A7, A7♭9 and A13♭9 under the same melody, adding only the colour notes that fit the chosen edition.
Chord symbols and source cell divisions are preserved from Djangopedia. Slashes mark rhythm; 0 is inherited diminished notation whose exact voicing should be checked against the melody. This is a chord reference, not a melody transcription.
Compare the linked archive entries before attributing one arrangement to all Django performances. Keep composition history separate from the dates of Django’s recordings.
This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.
Photo identification and provenance; reuse rights remain unverified
Illustration credit & provenance
Original AI-assisted illustration created for Djangopedia
Original AI-assisted editorial artwork inspired by the tune; not a documented historical scene.
Generated with the native image-generation tool on 2026-10-26; original editorial artwork, not a historical photograph.
Prompt: Use case: stylized-concept. Create one finished original landscape 1536x1024 (3:2) raster illustration for Djangopedia, tune Peche a la Mouche.
Tune context for interpretation only: Peche a la Mouche is credited here to Django Reinhardt. The inherited archive lists 2 recording entries, with dated entries spanning 1947–1947. These are archive rows, not a claim that every entry is a distinct released take. The linked recording rows preserve the original discographical wording. Compare their dates, matrices and personnel when choosing a performance to study.
Scene: A relaxed adult fly-fisher casts a line that curls into six guitar strings above a quiet river; a small fish peers up with an amused eye. Elegant casting rhythm and Django's title metaphor, spare print, no naturalistic landscape.
Art direction: Spare 1950s cut-paper serigraph: large flat interlocking ink shapes, a few assured irregular contours, witty geometric reduction and generous ivory negative space. Palette: deep indigo, dusty turquoise, burnt orange and warm paper. Subtle dry ink and paper texture, controlled print misregistration. Make it an artwork with a memorable singular idea, readable as a thumbnail and rewarding at full size; vary viewpoint and composition.
Constraints: entirely original composition, not a copy of an artist's print. No title, words, notation, logos or watermark. No photorealism, glossy 3D, gradients, airbrushed romantic haze, generic sunset or decorative hearts. If Django appears, swept-back dark hair, pencil moustache and a distinct mature individual face; period clothes, no ethnic stereotypes. Respect plausible instruments and hands, keep key subjects within frame. Use strong flat ink shapes rather than photorealistic rendering.
Research & rights notes
Specialist review of original editorial playing advice
Original key and precise composition date where not independently established
Inherited notation, session details and arrangement variants
Photograph reuse permissions
Photograph provenance and rights are stated separately. Attribution does not establish permission.
Latches - samois 2008 - "Peche à la mouche"Latchès: Steeve Laffont, Yorgui Loeffler, Chriss Campion, Gino Roman · MarioMaccaferriRules2008 · Django Reinhardt Festival, Samois · Watch title, source description and available positive-duration player checked 2026-10-05; independent performance; owner accuracy not independently verified.Festival opening performance; personnel and year follow uploader.✓ Featured
LATCHES - Peche a la moucheLatchès · Universal Music FranceLatchès album video · Watch title, source description and available positive-duration player checked 2026-10-05; independent performance; owner accuracy not independently verified.Official label upload; three guitars and bass. Upload date is not asserted as performance year.Select video
Peche A La Mouche | Jonny Hepbir Trio | UK & International Gypsy Swing Band HireJonny Hepbir Trio2012 · Brighton recording session; April 2012 · Watch title, source description and available positive-duration player checked 2026-10-05; independent performance; owner accuracy not independently verified.Acoustic trio; session date stated by group.Select video
pêche à la mouche - François Brunel gypsy quartetFrançois Brunel Gypsy Quartet · Francois Brunel2016 · August 2016 quartet performance · Watch title, source description and available positive-duration player checked 2026-10-05; independent performance; owner accuracy not independently verified.Guitar, clarinet and bass ensemble; personnel supplied by uploader.Select video
Peche a La Mouche (Live)Pearl Django · Pearl Django - TopicPearl Django Live; 2019 release · Watch title, source description and available positive-duration player checked 2026-10-05; independent performance; owner accuracy not independently verified.Audio-only live artist recording; release year kept separate.Select video
