Tune details
Music: A. Mathas (publisher attribution)
Documented in archive: 1940
Original key: Not established
Study level: Intermediate; melody, pulse and arrangement awareness
A light C-major swing tune for call and response and a clear dominant-chain bridge.
Clap the repeated head rhythm, then play it on C and A chord tones.

Owner content reviewed — 2026-10-19T04:10:16Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.
Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.
Django Reinhardt
source-described; accuracy not independently verified
Uploader identifies this as Django Reinhardt’s performance; recording date and take require comparison with the discography.
| Entry | Year | Recording / session / release evidence | Listen |
|---|---|---|---|
| 01 | 1940 | Cou-Cou, 1/10/40, OSW 131-1,"Fremeaux FA 310, Classics 831, Jazz Time 252707-2, Music Memoria 31005, Mosaic MD6-190(6 CD Set)."," - QHCF - Paris - Hubert Rostaing (cl), Django & Joseph (b)Pierre Fouad (d), Josette Dayde (vo)*, Reinhardt(g),Francis Luca," | — |
A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.
The publisher credits A. Mathas for the 1940 Cou-Cou entry. Because full authorship is not resolved here, the guide avoids the common assumption that every Django recording is his composition.
Music: A. Mathas (publisher attribution)
Documented in archive: 1940
Original key: Not established
Study level: Intermediate; melody, pulse and arrangement awareness
A light C-major swing tune for call and response and a clear dominant-chain bridge.
Cou-Cou, 1/10/40, OSW 131-1,"Fremeaux FA 310, Classics 831, Jazz Time 252707-2, Music Memoria 31005, Mosaic MD6-190(6 CD Set)."," - QHCF - Paris - Hubert Rostaing (cl), Django & Joseph (b)Pierre Fouad (d), Josette Dayde (vo)*, Reinhardt(g),Francis Luca,"
C and A minor lead into F, then F-sharp diminished and G7 return toward C. The bridge C7–F–D7–G7 outlines a clear series of dominant destinations. Check the video key before playing with the chart.
C and A minor lead into F, then F-sharp diminished and G7 return toward C. The bridge C7–F–D7–G7 outlines a clear series of dominant destinations.
Inherited chart retained exactly. Harmonic comments refer to this edition; ambiguous symbols are flagged rather than silently corrected.
[[Image:Coucou.gif]] | C/// | C/// | Am/// | Am/// | F/// | F#0/ G7/ | C/ Am/ | Dm/ G7/ | | C/// | C/// | Am/// | Am/// | F/// | F#0/ G7/ | C/// | C/// | | C7/// | C7/// | F/// | F/// | D7/// | D7/// | G7/// | G7/// | | C/// | C/// | Am/// | Am/// | F/// | F#0/ G7/ | C/ Am/ | Dm/ G7/ :||Original source ↗
Study Gypsy Jazz
3m39s · Video available when checked; creator-described attribution.
Creator-provided play-along; instrumentation and feel vary by selection. Check the key and full arrangement before joining in; the guide chart may use another key.
If playback is unavailable, use the source link.
Gypsy Jazz Backing Track / Play Along - CoucouStudy Gypsy Jazz3m39s · Video available when checked; creator-described attribution.Creator-provided play-along; instrumentation and feel vary by selection. Check the key and full arrangement before joining in; the guide chart may use another key.✓ Featured
Coucou - Gypsy Jazz Backing Track in G (190 bpm)Gypsy Jazz EssentialsSwing · 190 BPM · 3m10s · Video available when checked; creator-described attribution.Creator-provided play-along; instrumentation and feel vary by selection. Check the key and full arrangement before joining in; the guide chart may use another key. Tempo is the creator’s stated value.Select videoPerformed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.
Follow a shared key, a harmonic idea or a familiar form. Keys refer to this site’s chart editions; other recordings may use a different key.
No sufficiently supported harmonic comparison has been added yet.
No match is established in the current chart metadata.
Showing 8 of 85 matches. Explore the full catalogue →
A small bird on the open window of an airy cafe exchanges curved sound ribbons with a guitarist inside; two repeating shapes suggest call and response.
Original AI-assisted editorial artwork inspired by the tune’s mood. It does not depict a documented historical event.
Original AI-assisted illustration created for Djangopedia
Illustration credits & provenance →Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.
Edouard Pennes
Video available when checked; creator-described attribution.
Performer attribution follows the video title and channel description. Proposed listening selection; no popularity ranking implied.
If playback is unavailable, use the source link.
"Coucou" - Tchavolo Schmitt trio (Miri Chterna Album 2022)Edouard PennesVideo available when checked; creator-described attribution.Performer attribution follows the video title and channel description. Proposed listening selection; no popularity ranking implied.✓ Featured
CouCou⎮Joscho Stephan feat. Marion Lenfant-PreusJoscho StephanVideo available when checked; creator-described attribution.Performer attribution follows the video title and channel description. Proposed listening selection; no popularity ranking implied.Select video
Coucou - Django Reinhardt (Lollo Meier Quartet ft. Fiammetta Poidomani)Fiammetta PoidomaniVideo available when checked; creator-described attribution.Performer attribution follows the video title and channel description. Proposed listening selection; no popularity ranking implied.Select videoClap the repeated head rhythm, then play it on C and A chord tones. Loop F–F-sharp diminished–G7 and keep the bass movement even.
Use short buoyant shells, leaving space for the vocal-style call and response. A G-major backing is a transposition of this C study chart.
Introduction and chord lesson, not a note-for-note Django solo recreation.
80–120 bpm, then increase gradually
Clap the repeated head rhythm, then play it on C and A chord tones. Loop F–F-sharp diminished–G7 and keep the bass movement even.
Count quarter notes first. Then place the click on beats 2 and 4 at half the click rate, keeping the phrase length unchanged.
C; 32-bar AABA in the inherited chart. Agree the arrangement, pickup and ending before counting in.
The publisher’s A. Mathas credit remains a source attribution; full authorship needs further checking.
Keep the melody uppermost and begin with a single bass note under each harmony. Use short buoyant shells, leaving space for the vocal-style call and response. A G-major backing is a transposition of this C study chart.
Use short buoyant shells, leaving space for the vocal-style call and response. A G-major backing is a transposition of this C study chart.
No vocal arrangement is prescribed; use the instrumental melody as the phrasing reference.
This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.
Reissue publisher discography and credits ↗
Inherited chart and recording evidence ↗
Original AI-assisted illustration created for Djangopedia
Original AI-assisted editorial artwork inspired by the tune’s mood. It does not depict a documented historical event.
Generated with the native image-generation tool on 2026-10-19; original editorial artwork, not a historical photograph.
Prompt: Use case: stylized-concept. Asset: horizontal 1536x1024, 3:2 Djangopedia tune illustration for Cou-Cou. Original scene: A small bird on the open window of an airy cafe exchanges curved sound ribbons with a guitarist inside; two repeating shapes suggest call and response. Medium: authentic-feeling 1950s silk-screen editorial print, flat separate ink layers, boldly simplified shapes, long expressive angular silhouettes, spare wiry line accents, off-register overlaps, small areas of crosshatching, slight dry ink and paper texture. Strong asymmetric composition with generous negative space; witty and musical, sophisticated rather than children's cartoon. Limited palette: ochre, brick red, ink navy and warm cream. All heads and instrument bodies wholly inside frame unless otherwise specified. No letters, words, numbers, captions, borders, logos, watermark, realistic shading, gradients or photographed paper. Invent an entirely new composition, not a reproduction of any existing print. No claim of a documented historical scene.