MeterConfirm against the chosen arrangement; no historical metre inferred from the title
MusicPaul Misraki
Guide coverage8 / 12 sections present
Owner content reviewed — 2026-10-19T21:28:52Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.
See what is here and what is missing
✓ Recording evidence
○ Key & form
○ Chart
✓ History
✓ Playing notes
✓ Practice plan
○ Backing track
✓ Django recording
○ Django solo study aid
✓ Illustration
✓ Sources
✓ Difficulty
Django's Recordings
Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.
1 historical recording entries · source text preserved
Entry
Year
Recording / session / release evidence
Listen
01
1953
Chez Moi,P 1724-1 ,"DRG 8473,Musidisc CD 403222","8/4/53 - Paris - Django Reinhardt (elg), ""Fats"" Sadi Lallemand (vib), Martial Solal (p), Pierre Michelot (b), Pierre Lemarchand (d)"
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A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.
History & Listening
Chez Moi appears in the publisher’s account of Django’s last recordings. Paul Misraki is the source-attributed composer; the Rosenberg Trio’s distributor credit also names him. Duo Gadjo supplies a vocal comparison with the Trio’s instrumental approach.
Tune details
Music: Paul Misraki
Documented in archive: 1953
Original key: Not established
Study level: Intermediate listening study; arrangement and source awareness
Melody & head
Compare the instrumental melody with the sung version. Notice how the same phrase ending can invite either a breath or a guitar answer, depending on the arrangement.
The inherited matrix P1724 and the publisher booklet’s P1716 disagree. Chez Moi à Six Heures is a different title and has not been substituted.
Compare the instrumental melody with the sung version. Notice how the same phrase ending can invite either a breath or a guitar answer, depending on the arrangement. Source-attributed credits: Paul Misraki
Chart & Form
A complete harmonic route is not established here. First sing the melody and mark phrase endings; verify the underlying chords from a reliable edition before adding substitutions.
No verified complete chart is supplied. The listening and practice notes do not stand in for a chord chart.
No readable chord chart has been added for this title.
Play along
No backing track has been added.
Study Django's Solo
Performed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.
No Django solo study aid yet. Know a useful resource — or want to record a study of this solo?
Similar tunes
Follow a shared key, a harmonic idea or a familiar form. Keys refer to this site’s chart editions; other recordings may use a different key.
Related chord movement
No sufficiently supported harmonic comparison has been added yet.
Same chart key
No match is established in the current chart metadata.
Same form
No match is established in the current chart metadata.
Behind the illustration
Owner-selected illustration. An inviting home doorway opens directly into a compact trio rehearsal; a pianist offers an empty chair while a guitarist steps through with a case. Home, welcome and intimacy in an inventive nested-doorway composition.
Original AI-assisted editorial artwork inspired by the tune; not a documented historical scene.
Original AI-assisted illustration created for Djangopedia
Public, processed and embeddable when checked; creator-described identity.
Performer and tune attribution follow the named creator/distributor metadata. Proposed listening selection; no ranking or exact historical-take equivalence is implied.
Compare the instrumental melody with the sung version. Notice how the same phrase ending can invite either a breath or a guitar answer, depending on the arrangement.
Once a harmony is independently established, sing its destination note before adding an approach. Do not infer a progression from the tune title.
Pitch choices
Establish the actual harmony before choosing a scale. Begin with the melody and the destination note; no tune-wide scale formula is asserted.
Sing one complete phrase, then play it while leaving the same breathing space. Add a single bass note at its principal harmonic arrival and keep the melody louder than the accompaniment.
Comping & voicings
Choose a warm, low-volume chord pulse. In a vocal version, leave space around the singer’s consonants and avoid filling every breath with a loud run.
Voicing note sets
Choose a warm, low-volume chord pulse. In a vocal version, leave space around the singer’s consonants and avoid filling every breath with a loud run.
Keep the accompaniment clear
First rehearse the specific phrase entry and release described above; add a chord pulse only when it supports that phrase.
The inherited matrix P1724 and the publisher booklet’s P1716 disagree. Chez Moi à Six Heures is a different title and has not been substituted.
Practice room
60–90 quarter-note BPM for short study fragments; slow the source as needed
Your assignment
Sing one complete phrase, then play it while leaving the same breathing space. Add a single bass note at its principal harmonic arrival and keep the melody louder than the accompaniment.
Loop these changes
Sing one complete phrase, then play it while leaving the same breathing space. Add a single bass note at its principal harmonic arrival and keep the melody louder than the accompaniment.
Return to the selected recording after each short loop. Confirm the entry, release and next phrase cue before extending the passage.
Metronome
Use a quiet quarter-note click for short loops. Keep the preceding rest and the next entry in the loop; remove the click briefly to test internal time.
Transposition
After learning the chosen fragment and its actual harmony, move that fragment to one nearby key by naming the target notes. Do not transpose an unverified progression.
At the session
Confirm the composition identity, concert key and complete arrangement before calling the tune. Agree pickup and ending together.
Start together
Use the chosen recording’s entry cue only after checking its phrase length.
Finish together
Agree a plain final arrival and a visible cutoff; do not assume a live video’s tag is universal.
The inherited matrix P1724 and the publisher booklet’s P1716 disagree. Chez Moi à Six Heures is a different title and has not been substituted.
The inherited matrix P1724 and the publisher booklet’s P1716 disagree. Chez Moi à Six Heures is a different title and has not been substituted.
Arranging the tune
Solo guitar
Begin with the melody alone, then add only independently established bass arrivals. Choose a warm, low-volume chord pulse. In a vocal version, leave space around the singer’s consonants and avoid filling every breath with a loud run.
Trio or larger group
Choose a warm, low-volume chord pulse. In a vocal version, leave space around the singer’s consonants and avoid filling every breath with a loud run.
Vocal considerations
Follow the song’s breathing where a vocal version exists. Establish the singer’s key independently; lyrics are not reproduced here.
Sources & credits
This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.
Source-attributed title, credit and recording context; conflicts are stated rather than treated as resolved.
Illustration credit & provenance
Original AI-assisted illustration created for Djangopedia
Original AI-assisted editorial artwork inspired by the tune; not a documented historical scene.
Generated with the native image-generation tool on 2026-10-26; original editorial artwork, not a historical photograph.
Prompt: Use case: stylized-concept. Create one finished original landscape 1536x1024 (3:2) raster illustration for Djangopedia, tune Chez Moi.
Tune context for interpretation only: Chez Moi appears in the publisher’s account of Django’s last recordings. Paul Misraki is the source-attributed composer; the Rosenberg Trio’s distributor credit also names him. Duo Gadjo supplies a vocal comparison with the Trio’s instrumental approach.
Scene: An inviting home doorway opens directly into a compact trio rehearsal; a pianist offers an empty chair while a guitarist steps through with a case. Home, welcome and intimacy in an inventive nested-doorway composition.
Art direction: Minimal mid-century musical still-life print: crisp hand-cut shapes, ingenious symbolic composition, uneven hand-pulled ink edges, very few carefully chosen details. Palette: vermilion, mustard, deep petrol teal and warm ivory. Subtle dry ink and paper texture, controlled print misregistration. Make it an artwork with a memorable singular idea, readable as a thumbnail and rewarding at full size; vary viewpoint and composition.
Constraints: entirely original composition, not a copy of an artist's print. No title, words, notation, logos or watermark. No photorealism, glossy 3D, gradients, airbrushed romantic haze, generic sunset or decorative hearts. If Django appears, swept-back dark hair, pencil moustache and a distinct mature individual face; period clothes, no ethnic stereotypes. Respect plausible instruments and hands, keep key subjects within frame. Use strong flat ink shapes rather than photorealistic rendering.
Research & rights notes
The inherited matrix P1724 and the publisher booklet’s P1716 disagree. Chez Moi à Six Heures is a different title and has not been substituted.
Exact video-to-recording matrix/take associations are not established. Historical rows remain inherited evidence.
Complete chart, concert key and full form are not independently verified; none has been invented to increase coverage.
No qualifying tune-specific backing was confirmed in the bounded search.
No qualifying complete Django solo recreation is selected. Other players’ solos, theme lessons and virtual transcriptions do not fill this gap.
Chez Moi (Instrumental)The Rosenberg Trio - TopicPublic, processed and embeddable when checked; creator-described identity.Performer and tune attribution follow the named creator/distributor metadata. Proposed listening selection; no ranking or exact historical-take equivalence is implied.✓ Featured
Chez Moi Performed by the Duo Gadjo TrioDuo GadjoPublic, processed and embeddable when checked; creator-described identity.Performer and tune attribution follow the named creator/distributor metadata. Proposed listening selection; no ranking or exact historical-take equivalence is implied.Select video