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Player guide

Ma Reguliere

Ma Régulière is documented among the early Vaissade recordings with Django on guitar-banjo. Notice how an even plucked rhythm supports the accordion's changing articulation.

If you study one thing

Loop a short accompaniment pattern at a quiet dynamic, then sing the melody over it without making the pulse louder.

An accordionist and young adult guitar-banjo player line up two empty cafe chairs with exaggerated precision. One plain clock with no numerals and a compact coat stand; dry routine-and-rhythm metaphor.
Original AI-assisted illustration created for Djangopedia
Illustration credits
Chart keyNot established
FormNot established
FeelEarly musette ensemble accompaniment
MeterCheck the actual arrangement; no metre inferred from its title
MusicCharles Borel-Clerc
Guide coverage8 / 12 sections present

Owner content reviewed — 2026-10-21T01:13:24Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.

See what is here and what is missing
  • ✓ Recording evidence
  • ○ Key & form
  • ○ Chart
  • ✓ History
  • ✓ Playing notes
  • ✓ Practice plan
  • ○ Backing track
  • ✓ Django recording
  • ○ Django solo study aid
  • ✓ Illustration
  • ✓ Sources
  • ✓ Difficulty

Django's Recordings

Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.

1 historical recording entries · source text preserved
EntryYearRecording / session / release evidenceListen
01—Ma Reguliere,BT 4115-1,"Fremeaux FA 301, EMI 798975-2, EMI PATHE 746 5012","1928 - Paris - Jean Vissade (acc), Django Reinhardt (bjo) Francesco Cariolato (xyl)."—

A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.

History & Listening

Ma Régulière is documented among the early Vaissade recordings with Django on guitar-banjo.

Tune details

Music: Charles Borel-Clerc

Documented in archive: Not established

Original key: Not established

Study level: Intermediate listening study; advanced source and arrangement awareness

Melody & head

  • Notice how an even plucked rhythm supports the accordion's changing articulation.
  • An early recording date documents the performance, not the composition year or a claim of solo-guitar authorship.

Chart & Form

Establish the actual melody and harmonic arrivals before choosing substitutions. Loop a short accompaniment pattern at a quiet dynamic, then sing the melody over it without making the pulse louder.

No verified complete chart or concert key is supplied. Any inherited raw notation is retained without silently repairing it.

No readable chord chart has been added for this title.

Play along

No backing track has been added.

Study Django's Solo

Performed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.

No Django solo study aid yet. Know a useful resource — or want to record a study of this solo?

Similar tunes

Follow a shared key, a harmonic idea or a familiar form. Keys refer to this site’s chart editions; other recordings may use a different key.

Related chord movement

No sufficiently supported harmonic comparison has been added yet.

Same chart key

No match is established in the current chart metadata.

Same form

No match is established in the current chart metadata.

Behind the illustration

This image is an editorial illustration; a connection to this recording has not been established.

Original AI-assisted editorial artwork inspired by the tune’s mood; not a documented historical scene.

Original AI-assisted illustration created for Djangopedia

Illustration credits & provenance →

Notable Gypsy Jazz Performances

Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.

Notable Gypsy Jazz performances are being curated.

Improvisation

Target notes & voice leading

  • Notice how an even plucked rhythm supports the accordion's changing articulation.
  • Sing the destination note before playing an approach; establish the harmony before assigning a scale.

Pitch choices

  • Establish the actual harmony before choosing a scale. Begin with the melody and the destination note; no tune-wide scale formula is asserted.

Loop a short accompaniment pattern at a quiet dynamic, then sing the melody over it without making the pulse louder.

Comping & voicings

Keep stroke length and volume consistent while allowing the melody to change accents.

Voicing note sets

  • Keep stroke length and volume consistent while allowing the melody to change accents.

Keep the accompaniment clear

  • First rehearse the specific phrase entry and release described above; add a chord pulse only when it supports that phrase.
  • An early recording date documents the performance, not the composition year or a claim of solo-guitar authorship.

Practice room

Begin short phrase work around 60–90 quarter-note BPM; adapt to the verified source

Your assignment

Loop a short accompaniment pattern at a quiet dynamic, then sing the melody over it without making the pulse louder.

Loop these changes

  • Loop a short accompaniment pattern at a quiet dynamic, then sing the melody over it without making the pulse louder.
  • Keep stroke length and volume consistent while allowing the melody to change accents.

Metronome

Use a quiet quarter-note click for short loops. Keep the preceding rest and the next entry in the loop; remove the click briefly to test internal time.

Transposition

  • After learning the chosen fragment and its actual harmony, move that fragment to one nearby key by naming the target notes. Do not transpose an unverified progression.

At the session

Confirm the composition identity, concert key and complete arrangement before calling the tune. Agree pickup and ending together.

Start together

  • Use the chosen recording’s entry cue only after checking its phrase length.

Finish together

  • Agree a plain final arrival and a visible cutoff; do not assume a live video’s tag is universal.

An early recording date documents the performance, not the composition year or a claim of solo-guitar authorship.

  • An early recording date documents the performance, not the composition year or a claim of solo-guitar authorship.

Arranging the tune

Solo guitar

Begin with the melody alone, then add only independently established bass arrivals. Keep stroke length and volume consistent while allowing the melody to change accents.

Trio or larger group

Keep stroke length and volume consistent while allowing the melody to change accents.

Vocal considerations

Follow the song’s breathing where a vocal version exists. Establish the singer’s key independently; lyrics are not reproduced here.

Sources & credits

This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.

Djangopedia full discography ↗

Reissue publisher booklet and discography ↗

  • Source-attributed work identity, credits and historical recording context; inherited data is not rewritten.
Illustration credit & provenance

Original AI-assisted illustration created for Djangopedia

Original AI-assisted editorial artwork inspired by the tune’s mood; not a documented historical scene.

Generated with the native image-generation tool on 2026-10-21; original editorial artwork, not a historical photograph.

Prompt: Use case: stylized-concept. Asset: one original Djangopedia tune illustration, landscape 1536x1024, 3:2. Title context, do not write any words: Ma Reguliere. Scene: An accordionist and young adult guitar-banjo player line up two empty cafe chairs with exaggerated precision. One plain clock with no numerals and a compact coat stand; dry routine-and-rhythm metaphor. Style: witty 1950s cartoon serigraph. Confident chunky contours; simplified flat separate ink shapes; lively mildly exaggerated adult head/hand proportions, humorous posture, strong asymmetric composition. Dry, graphic and unsentimental. Limited palette: ink black, mustard, brick red and warm ivory. Controlled screen-print misregistration, occasional dry ink texture and generous clean paper; no gradients or glossy digital shading. Faces: Django-like guitarist uses documented swept-back dark hair, small pencil moustache and expressive mature face; early guitar-banjo scenes use a younger adult. Supporting musicians are distinct individuals in historically informed 1920s–1940s Paris jazz-circle clothing. No ethnic caricature, racial stereotypes or costumes. Faces, instrument bodies and hands remain within frame, with convincing basic instrument anatomy. No text, letters, numerals, notation, logos, watermark, decorative border, photorealism, dreamy sunset, hearts or romantic haze. Imagined editorial scene, not a documented event. Entirely original composition; do not reproduce any artist's existing print.

Research & rights notes
  • An early recording date documents the performance, not the composition year or a claim of solo-guitar authorship.
  • No new exact recording_ref mapping is asserted. Recording rows and matrix/take claims are preserved as inherited evidence.
  • Complete chart, concert key and full form remain unverified. Practice tasks do not substitute for a chart.
  • No qualifying tune-specific backing confirmed in the bounded search.
  • No confidently identified complete performed Django solo study selected. Score-following studies are labelled separately.
  • No qualifying modern Gypsy-jazz performance selected in the bounded search.