Tune details
Music: Django Reinhardt, Stéphane Grappelli
Documented in archive: 1940
Original key: Not established
Study level: Intermediate; melody, pulse and arrangement awareness
A Django tune for comparing alternate takes and building short phrases from the head.
Learn the first head phrase, sing its destination, then improvise a two-note answer.

Owner content reviewed — 2026-10-19T04:10:14Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.
Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.
Django Reinhardt
source-described; accuracy not independently verified
Uploader identifies this as Django Reinhardt’s performance; recording date and take require comparison with the discography.
| Entry | Year | Recording / session / release evidence | Listen |
|---|---|---|---|
| 01 | — | Mabel,X2LA 1997-1 ,"Fremeaux 306, Affinity AFS 1003, Classics 762, Jazz Time 789604-2, Mosaic MD6-190(6 CD Set)."," Cizeron Out, Stephane Grappelly (v) replaces three violins" | — |
| 02 | — | Mabel,X2LA 1997-2 ,"Fremeaux 306, Mosaic MD6-190(6 CD Set)."," Cizeron Out, Stephane Grappelly (v) replaces three violins" | — |
| 03 | 1940 | Mabel, 13/12/40, OSW 151-1,"Fremeaux FA 310, Classics 852, Jazz Time 252707-2, Music Memoria 31005, Mosaic MD6-190(6 CD Set)."," - Paris - QHCF+ - Hubert Rostaing (cl), Alix Combelle (cl,ts) Django & Joseph Reinhardt (g), Tony Rovira (b), Pierre Fouad (d)" | — |
A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.
The archive preserves alternate takes and a later 1940 entry. The publisher credits Django for Mabel; none of those take identities is collapsed in this guide. The 1937 booklet credits Reinhardt and Grappelli jointly, while the later track table lists Reinhardt alone; that version-specific credit difference is kept visible.
Music: Django Reinhardt, Stéphane Grappelli
Documented in archive: 1940
Original key: Not established
Study level: Intermediate; melody, pulse and arrangement awareness
A Django tune for comparing alternate takes and building short phrases from the head.
Mabel,X2LA 1997-1 ,"Fremeaux 306, Affinity AFS 1003, Classics 762, Jazz Time 789604-2, Mosaic MD6-190(6 CD Set)."," Cizeron Out, Stephane Grappelly (v) replaces three violins"
Compare the opening head in two versions before learning a long solo. Mark which phrases recur unchanged and where the harmony or ending differs. Check the video key before playing with the chart.
Compare the opening head in two versions before learning a long solo. Mark which phrases recur unchanged and where the harmony or ending differs.
No complete verified chart is supplied. The exercises are listening and practice suggestions, not a substitute score.
No readable chord chart has been added for this title.
Stephane Wrembel
Swing · 100 BPM · 2m59s · Video available when checked; creator-described attribution.
Creator-provided play-along; instrumentation and feel vary by selection. Check the key and full arrangement before joining in; the guide chart may use another key. Tempo is the creator’s stated value.
If playback is unavailable, use the source link.
MABEL (100BPM) THE STEPHANE WREMBEL BAND - PLAY ALONG SERIESStephane WrembelSwing · 100 BPM · 2m59s · Video available when checked; creator-described attribution.Creator-provided play-along; instrumentation and feel vary by selection. Check the key and full arrangement before joining in; the guide chart may use another key. Tempo is the creator’s stated value.✓ Featured
Mabel (160 bpm) - Gypsy jazz Backing track / Jazz manoucheGuitare ImprovisationSwing · 160 BPM · 5m2s · Video available when checked; creator-described attribution.Creator-provided play-along; instrumentation and feel vary by selection. Check the key and full arrangement before joining in; the guide chart may use another key. Tempo is the creator’s stated value.Select videoPerformed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.
No Django solo study aid yet. Know a useful resource — or want to record a study of this solo?
Follow a shared key, a harmonic idea or a familiar form. Keys refer to this site’s chart editions; other recordings may use a different key.
No sufficiently supported harmonic comparison has been added yet.
No match is established in the current chart metadata.
No match is established in the current chart metadata.
A poised adult jazz singer in a simple evening dress, a vintage microphone and upright bass, three strong tilted colour planes create an intimate club.
Original AI-assisted editorial artwork inspired by the tune’s mood. It does not depict a documented historical event.
Original AI-assisted illustration created for Djangopedia
Illustration credits & provenance →Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.
European Django Band
Video available when checked; creator-described attribution.
Performer attribution follows the video title and channel description. Proposed listening selection; no popularity ranking implied.
If playback is unavailable, use the source link.
Mabel - European Django BandEuropean Django BandVideo available when checked; creator-described attribution.Performer attribution follows the video title and channel description. Proposed listening selection; no popularity ranking implied.✓ Featured
Mabel (Django Reinhardt). Jazz band Retro. Gypsy jazz manouche guitarJazzRetroVideo available when checked; creator-described attribution.Performer attribution follows the video title and channel description. Proposed listening selection; no popularity ranking implied.Select videoLearn the first head phrase, sing its destination, then improvise a two-note answer. Record one chorus and check that every phrase begins in the same place.
Use a relaxed four and short chord releases. Leave the head’s internal syncopation to the lead instead of doubling it.
80–120 bpm, then increase gradually
Learn the first head phrase, sing its destination, then improvise a two-note answer. Record one chorus and check that every phrase begins in the same place.
Count quarter notes first. Then place the click on beats 2 and 4 at half the click rate, keeping the phrase length unchanged.
Confirm the chosen arrangement key; Confirm the complete form. Agree the arrangement, pickup and ending before counting in.
A melody-with-TAB tutorial is a melody aid unless the creator explicitly identifies a Django solo transcription.
Keep the melody uppermost and begin with a single bass note under each harmony. Use a relaxed four and short chord releases. Leave the head’s internal syncopation to the lead instead of doubling it.
Use a relaxed four and short chord releases. Leave the head’s internal syncopation to the lead instead of doubling it.
No vocal arrangement is prescribed; use the instrumental melody as the phrasing reference.
This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.
Reissue publisher discography and credits ↗
Inherited chart and recording evidence ↗
Original AI-assisted illustration created for Djangopedia
Original AI-assisted editorial artwork inspired by the tune’s mood. It does not depict a documented historical event.
Generated with the native image-generation tool on 2026-10-19; original editorial artwork, not a historical photograph.
Prompt: Use case: stylized-concept. Asset: horizontal 1536x1024, 3:2 Djangopedia tune illustration for Mabel. Original scene: A poised adult jazz singer in a simple evening dress, a vintage microphone and upright bass, three strong tilted colour planes create an intimate club. Medium: authentic-feeling 1950s silk-screen editorial print, flat separate ink layers, boldly simplified shapes, long expressive angular silhouettes, spare wiry line accents, off-register overlaps, small areas of crosshatching, slight dry ink and paper texture. Strong asymmetric composition with generous negative space; witty and musical, sophisticated rather than children's cartoon. Limited palette: ochre, brick red, ink navy and warm cream. All heads and instrument bodies wholly inside frame unless otherwise specified. No letters, words, numbers, captions, borders, logos, watermark, realistic shading, gradients or photographed paper. Invent an entirely new composition, not a reproduction of any existing print. No claim of a documented historical scene.