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Player guide

Fleche d'Or

A late Django vehicle whose long contrasting section demands rhythmic invention and exact form awareness.

If you study one thing

Play an eight-bar motif over B minor, repeat it with changed rhythm, then develop a related answer for the full sixteen-bar contrasting span.

Original serigraph-style illustration for fleche d or
Original AI-assisted illustration created for Djangopedia
Illustration credits
Chart keyB minor (inherited chart)
Form40-bar inherited study grid: A–A–B–B–A; other arrangements differ
FeelSwing
Meter4/4
MusicDjango Reinhardt
Guide coverage11 / 12 sections present

Owner content reviewed — 2026-10-18T10:57:17Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.

See what is here and what is missing
  • ✓ Recording evidence
  • ✓ Key & form
  • ✓ Chart
  • ✓ History
  • ✓ Playing notes
  • ✓ Practice plan
  • ✓ Backing track
  • ✓ Django recording
  • ○ Django solo study aid
  • ✓ Illustration
  • ✓ Sources
  • ✓ Difficulty

Django's Recordings

Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.

1 historical recording entries · source text preserved
EntryYearRecording / session / release evidenceListen
011952Fleche d'Or, 30/1/52, P 1180 ,"DRG 8473,Musidisc 403222"," - Paris - Django Reinhardt (elg), Roger Guerin (tpt), Hubert Fol (as), Raymond Fol (p), Barney Spieler (b), Pierre Lemarchand (d)"—

A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.

History & Listening

The archive entry is dated 30 January 1952 and names Django on electric guitar with trumpet, alto saxophone, piano, bass and drums. The guide preserves that evidence and the existing listening resource. Wrembel offers separately labelled full, forty-bar and thirty-two-bar play-alongs; those labels are a warning to agree the arrangement, not an invitation to treat every upload as the same form.

Tune details

Music: Django Reinhardt

Documented in archive: 1952

Original key: Not established

Study level: Advanced; long harmonic spans and extended form

Melody & head

  • Listen for the start and end of the extended contrasting section and how the electric ensemble creates momentum without constant harmonic changes.
  • The thirty-two-bar and forty-bar backings are not interchangeable. The full-version selection must be checked against the chosen head/solo structure.

Study the inherited Django recording evidence ↗

Listen for the start and end of the extended contrasting section and how the electric ensemble creates momentum without constant harmonic changes.

Session evidence

Fleche d'Or, 30/1/52, P 1180 ,"DRG 8473,Musidisc 403222"," - Paris - Django Reinhardt (elg), Roger Guerin (tpt), Hubert Fol (as), Raymond Fol (p), Barney Spieler (b), Pierre Lemarchand (d)"

Study the proposed backing arrangement ↗

The inherited chart contains two eight-bar B-minor sections, sixteen bars of E7-flat9 colour, then a final eight-bar B-minor return. It also contains passing diminished and F-sharp7-flat9 details. First establish the two broad harmonic regions. Over B minor, D and F-sharp are clear anchors; over E7, G-sharp and D make the contrast audible. Do not assume the printed E7-flat9 treatment is the only historical voicing. Check the video key before playing with the chart.

Chart & Form

The inherited chart contains two eight-bar B-minor sections, sixteen bars of E7-flat9 colour, then a final eight-bar B-minor return. It also contains passing diminished and F-sharp7-flat9 details. First establish the two broad harmonic regions. Over B minor, D and F-sharp are clear anchors; over E7, G-sharp and D make the contrast audible. Do not assume the printed E7-flat9 treatment is the only historical voicing.

Inherited chart is preserved verbatim as historical study material, not silently corrected or newly authenticated. Check the specific caveats below and match the arrangement and key to the selected video. External teaching material remains on its creator’s site.

Inherited text chart
1Bm6/ C#dim
2Bm(/D)/ C#dim
3Bm6/ C#dim
4Bm(/D)/ C#dim
5Bm6/ C#dim
6Bm(/D)/ C#dim
7Bm6/ F#7b9
8Bm6
9Bm6/ C#dim
10Bm(/D)/ C#dim
11Bm6/ C#dim
12Bm(/D)/ C#dim
13Bm6/ C#dim
14Bm(/D)/ C#dim
15Bm6/ F#7b9
16Bm6
17E7b9
18E7b9
19E7b9
20E7b9
21E7b9
22E7b9
23E7b9
24E7b9
25E7b9
26E7b9
27E7b9
28E7b9
29E7b9
30E7b9
31E7b9
32E7b9
33Bm6/ C#dim
34Bm(/D)/ C#dim
35Bm6/ C#dim
36Bm(/D)/ C#dim
37Bm6/ C#dim
38Bm(/D)/ C#dim
39Bm6/ F#7b9
40Bm6
Original chart text & notation
| Bm6/ C#dim/ | Bm(/D)/ C#dim/ | Bm6/ C#dim/ | Bm(/D)/ C#dim/ | Bm6/ C#dim/ | Bm(/D)/ C#dim/ | Bm6/ F#7b9/ | Bm6/// |

| Bm6/ C#dim/ | Bm(/D)/ C#dim/ | Bm6/ C#dim/ | Bm(/D)/ C#dim/ | Bm6/ C#dim/ | Bm(/D)/ C#dim/ | Bm6/ F#7b9/ | Bm6/// |

| E7b9/// | E7b9/// | E7b9/// | E7b9/// | E7b9/// | E7b9/// | E7b9/// | E7b9/// |

| E7b9/// | E7b9/// | E7b9/// | E7b9/// | E7b9/// | E7b9/// | E7b9/// | E7b9/// |

| Bm6/ C#dim/ | Bm(/D)/ C#dim/ | Bm6/ C#dim/ | Bm(/D)/ C#dim/ | Bm6/ C#dim/ | Bm(/D)/ C#dim/ | Bm6/ F#7b9/ | Bm6/// |
Original source ↗

Play along

Study Django's Solo

Performed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.

No Django solo study aid yet. Know a useful resource — or want to record a study of this solo?

Similar tunes

Follow a shared key, a harmonic idea or a familiar form. Keys refer to this site’s chart editions; other recordings may use a different key.

Related chord movement

No sufficiently supported harmonic comparison has been added yet.

Same form

No match is established in the current chart metadata.

Behind the illustration

Original serigraph-style illustration for fleche d or

Original AI-assisted editorial artwork inspired by the tune’s mood. It does not depict a documented historical event.

Original AI-assisted illustration created for Djangopedia

Illustration credits & provenance →

Notable Gypsy Jazz Performances

Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.

Improvisation

Target notes & voice leading

  • D and F-sharp anchor B minor.
  • G-sharp and D define E7; hear G-sharp return toward the B-minor colour at the final A.

Pitch choices

  • Begin with the named chord tones. Add passing notes only after the melody and cadence are secure.

Play an eight-bar motif over B minor, repeat it with changed rhythm, then develop a related answer for the full sixteen-bar contrasting span. Count that span aloud. Re-enter the final A cleanly before adding any fast runs.

Comping & voicings

Keep long harmonic spans alive through touch and dynamics rather than unnecessary chord substitutions. Agree the exact length of the contrasting section before counting in.

Voicing note sets

  • Use D–F-sharp for a B-minor shell and G-sharp–D for E7, adding the altered ninth only when it belongs to the agreed arrangement.

Keep the accompaniment clear

  • First establish an even pulse; add rhythmic variation only when the melody leaves space.
  • The thirty-two-bar and forty-bar backings are not interchangeable. The full-version selection must be checked against the chosen head/solo structure.

Practice room

Begin at 100–120 bpm; selected full-version play-along 240 bpm

Your assignment

Play an eight-bar motif over B minor, repeat it with changed rhythm, then develop a related answer for the full sixteen-bar contrasting span. Count that span aloud. Re-enter the final A cleanly before adding any fast runs.

Loop these changes

  • Play an eight-bar motif over B minor, repeat it with changed rhythm, then develop a related answer for the full sixteen-bar contrasting span.

Metronome

Count quarter notes first. Then place the click on beats 2 and 4 at half the click rate, keeping the phrase length unchanged.

Transposition

  • Move one short cadence to a nearby key by naming its chord tones, then return to the chosen study key.

At the session

B minor (inherited chart); 40-bar inherited study grid: A–A–B–B–A; other arrangements differ. Agree the arrangement, pickup and ending before counting in.

Start together

  • Count a clear tempo and use the final cadence of the agreed arrangement.

Finish together

  • Cue the final tonic together; agree any tag before starting.

The thirty-two-bar and forty-bar backings are not interchangeable. The full-version selection must be checked against the chosen head/solo structure.

  • The thirty-two-bar and forty-bar backings are not interchangeable. The full-version selection must be checked against the chosen head/solo structure.

Arranging the tune

Solo guitar

Keep the melody uppermost and begin with a single bass note under each harmony. Use D–F-sharp for a B-minor shell and G-sharp–D for E7, adding the altered ninth only when it belongs to the agreed arrangement.

Trio or larger group

Keep long harmonic spans alive through touch and dynamics rather than unnecessary chord substitutions. Agree the exact length of the contrasting section before counting in.

Vocal considerations

No vocal arrangement is prescribed; use the instrumental melody as the phrasing reference.

Inherited media links

Sources & credits

This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.

Djangopedia legacy page ↗

Wrembel — full-version play-along ↗

  • Creator distinguishes full version from other length variants.

Autour de Django — cover study ↗

  • Paris 1952 cover attribution, not independent transcription certification.

Preserved Djangopedia archive ↗

  • Inherited chart and historical recording evidence; not newly authenticated session data.

Existing Django listening reference ↗

  • Recording attribution and, where supplied, distributor credits; not a verified take association.
Illustration credit & provenance

Original AI-assisted illustration created for Djangopedia

Original AI-assisted editorial artwork inspired by the tune’s mood. It does not depict a documented historical event.

Generated with the native image-generation tool on 2026-10-18; original editorial artwork, not a historical photograph.

Prompt: Create an original horizontal 3:2 editorial serigraph illustration for the jazz tune fleche d or. A streamlined golden express train curves through a nocturnal city, its rails echo guitar strings, one small abstract guitar silhouette anchors the foreground. Mid-century jazz screen-print design: bold simplified angular silhouettes, inventive asymmetry, broad flat shapes, limited ink palette of gold ochre, midnight blue, muted teal and ivory, slightly irregular ink edges and subtle paper grain. Sophisticated playful graphic poster. No gradients, no photorealism, no lettering, no border, no copied artwork. Keep important subjects fully in frame.

Research & rights notes
  • Arrangement lengths differ; no universal thirty-two-bar form is asserted.
  • The proposed cover study is not certified as a complete note-for-note Django solo.