A lesser-known archive title for developing careful ear-led study and reliable phrase landmarks.
If you study one thing
Transcribe four successive melody landing notes from the inherited listening selection.
William P. Gottlieb / Library of Congress Aquarium, New York, N.Y. · circa November 1946 · Photo credits
Chart keyNot established
FormNot established
FeelSwing
Meter4/4
MusicJack Demany
Guide coverage8 / 12 sections present
Owner content reviewed — 2026-10-18T23:08:28Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.
See what is here and what is missing
✓ Recording evidence
○ Key & form
○ Chart
✓ History
✓ Playing notes
✓ Practice plan
○ Backing track
✓ Django recording
○ Django solo study aid
✓ Photograph
✓ Sources
✓ Difficulty
Django's Recordings
Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.
1 historical recording entries · source text preserved
Entry
Year
Recording / session / release evidence
Listen
01
1942
Tons d'Ebene,16224,"Fremeaux FA 311, Classics 905, Verve 513 947-2, HEP 1041",8/5/42 - Brussels - Stan Brenders et Son Grand Orchestre featuring Django Reinhardt
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A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.
History & Listening
The Naxos-supplied metadata credits Jack Demany. The tune’s presence in Django’s discography is not, by itself, a reason to credit Django as its composer.
Tune details
Music: Jack Demany
Documented in archive: 1942
Original key: Not established
Study level: Intermediate; transcribe four successive melody landing notes from the inherited listening selection
Melody & head
A lesser-known archive title for developing careful ear-led study and reliable phrase landmarks.
The guide does not yet contain a verified complete chart or a qualifying new solo-recreation video.
Study the inherited Django recording evidence
A lesser-known archive title for developing careful ear-led study and reliable phrase landmarks.
Session evidence
Tons d'Ebene,16224,"Fremeaux FA 311, Classics 905, Verve 513 947-2, HEP 1041",8/5/42 - Brussels - Stan Brenders et Son Grand Orchestre featuring Django Reinhardt
Chart & Form
Begin with a listening map: mark melody statements, accompaniment changes and solo entries. Identify a small set of dependable bass-and-melody anchors before deriving any full chord progression.
A complete chord chart has not yet been verified. The exercises are editorial listening and practice suggestions, not a replacement score.
No readable chord chart has been added for this title.
Play along
No backing track has been added.
Study Django's Solo
Performed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.
No Django solo study aid yet. Know a useful resource — or want to record a study of this solo?
Similar tunes
Follow a shared key, a harmonic idea or a familiar form. Keys refer to this site’s chart editions; other recordings may use a different key.
Related chord movement
No sufficiently supported harmonic comparison has been added yet.
Same chart key
No match is established in the current chart metadata.
Same form
No match is established in the current chart metadata.
Behind the photograph
Editorial reuse of a documented public-domain Gottlieb photograph; not a photograph of this tune or recording session. Six photographs are each proposed for two Stage 6D guides.
Part of William P. Gottlieb’s documented Aquarium photographs in New York, circa November 1946. The catalogue supplies the location and approximate date; this is not evidence of a particular tune being played.
Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.
Notable Gypsy Jazz performances are being curated.
Improvisation
Target notes & voice leading
Begin with a listening map: mark melody statements, accompaniment changes and solo entries. Identify a small set of dependable bass-and-melody anchors before deriving any full chord progression.
Sing the destination note before connecting it to the preceding chord.
Pitch choices
Begin with the named chord tones. Add passing notes only after the melody and cadence are secure.
Transcribe four successive melody landing notes from the inherited listening selection. Sing them in time, then find the bass notes beneath them.
Comping & voicings
Use a minimal pulse when practising with another player until the arrangement is agreed. Do not fill an unverified chart with familiar stock changes.
Voicing note sets
Use a minimal pulse when practising with another player until the arrangement is agreed. Do not fill an unverified chart with familiar stock changes.
Keep the accompaniment clear
First establish an even pulse; add rhythmic variation only when the melody leaves space.
The guide does not yet contain a verified complete chart or a qualifying new solo-recreation video.
Practice room
80–120 bpm, then increase gradually
Your assignment
Transcribe four successive melody landing notes from the inherited listening selection. Sing them in time, then find the bass notes beneath them.
Loop these changes
Transcribe four successive melody landing notes from the inherited listening selection. Sing them in time, then find the bass notes beneath them.
Metronome
Count quarter notes first. Then place the click on beats 2 and 4 at half the click rate, keeping the phrase length unchanged.
Transposition
Move one short cadence to a nearby key by naming its chord tones, then return to the chosen study key.
At the session
Confirm the chosen arrangement key; Confirm the complete form. Agree the arrangement, pickup and ending before counting in.
Start together
Count a clear tempo and use the final cadence of the agreed arrangement.
Finish together
Cue the final tonic together; agree any tag before starting.
The guide does not yet contain a verified complete chart or a qualifying new solo-recreation video.
The guide does not yet contain a verified complete chart or a qualifying new solo-recreation video.
Arranging the tune
Solo guitar
Keep the melody uppermost and begin with a single bass note under each harmony. Use a minimal pulse when practising with another player until the arrangement is agreed. Do not fill an unverified chart with familiar stock changes.
Trio or larger group
Use a minimal pulse when practising with another player until the arrangement is agreed. Do not fill an unverified chart with familiar stock changes.
Vocal considerations
No vocal arrangement is prescribed; use the instrumental melody as the phrasing reference.
Sources & credits
This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.
