Djangopedia
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Player guide

Keep Cool

The publisher credits Keep Cool to R. Listen to the relationship between electric guitar, piano and rhythm section.

If you study one thing

Take one short phrase from the retained solo study and sing its rhythm before playing.

Django Reinhardt playing an archtop guitar with a cigarette between his lips at the Aquarium, New York, circa November 1946.
William P. Gottlieb / Library of Congress / restoration by Adam Cuerden
Aquarium, New York, N.Y. · circa November 1946 · Photo credits
Chart keyNot established
FormNot established
FeelSwing study; follow the chosen recording
MeterConfirm against the chosen arrangement; no historical metre inferred from the title
MusicRaymond Fol
Guide coverage9 / 12 sections present

Owner content reviewed — 2026-10-19T21:28:49Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.

See what is here and what is missing
  • ✓ Recording evidence
  • ○ Key & form
  • ○ Chart
  • ✓ History
  • ✓ Playing notes
  • ✓ Practice plan
  • ○ Backing track
  • ✓ Django recording
  • ✓ Django solo study aid
  • ✓ Photograph
  • ✓ Sources
  • ✓ Difficulty

Django's Recordings

Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.

1 historical recording entries · source text preserved
EntryYearRecording / session / release evidenceListen
011952Keep Cool,P 1179 ,"DRG 8473,Musidisc 403222","30/1/52 - Paris - Django Reinhardt (elg), Roger Guerin (tpt), Hubert Fol (as), Raymond Fol (p), Barney Spieler (b), Pierre Lemarchand (d)"—

A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.

History & Listening

The publisher credits Keep Cool to R. Fol, pianist Raymond Fol, in Django’s 1952 electric-guitar period. Some contemporary uploader titles attribute it to Django; those titles identify repertoire rather than settle authorship.

Tune details

Music: Raymond Fol

Documented in archive: 1952

Original key: Not established

Study level: Intermediate listening study; arrangement and source awareness

Melody & head

  • Listen to the relationship between electric guitar, piano and rhythm section. Compare the historical solo study with the two proposed modern band interpretations.
  • Do not change the composition credit simply because a cover is labelled Django Reinhardt. The precise historical take is not inferred from the video title.

Historical context and listening task ↗

Listen to the relationship between electric guitar, piano and rhythm section. Compare the historical solo study with the two proposed modern band interpretations. Source-attributed credits: Raymond Fol

Chart & Form

A complete harmonic route is not established here. First sing the melody and mark phrase endings; verify the underlying chords from a reliable edition before adding substitutions.

No verified complete chart is supplied. The listening and practice notes do not stand in for a chord chart.

No readable chord chart has been added for this title.

Play along

No backing track has been added.

Study Django's Solo

Performed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.

Similar tunes

Follow a shared key, a harmonic idea or a familiar form. Keys refer to this site’s chart editions; other recordings may use a different key.

Related chord movement

No sufficiently supported harmonic comparison has been added yet.

Same chart key

No match is established in the current chart metadata.

Same form

No match is established in the current chart metadata.

Behind the photograph

Editorial portrait from the documented Gottlieb public-domain collection. It does not depict this tune or its recording session.

Part of William P. Gottlieb’s documented Aquarium photographs in New York, circa November 1946. The catalogue supplies the location and approximate date; this is not evidence of a particular tune being played.

Explore this photograph, its context & credits →

Notable Gypsy Jazz Performances

Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.

Improvisation

Target notes & voice leading

  • Listen to the relationship between electric guitar, piano and rhythm section. Compare the historical solo study with the two proposed modern band interpretations.
  • Once a harmony is independently established, sing its destination note before adding an approach. Do not infer a progression from the tune title.

Pitch choices

  • Establish the actual harmony before choosing a scale. Begin with the melody and the destination note; no tune-wide scale formula is asserted.

Take one short phrase from the retained solo study and sing its rhythm before playing. Repeat it with fewer notes over a slow, independently checked accompaniment, preserving its final target and silence.

Comping & voicings

With electric guitar and piano, keep sustained chord tones out of the lead register. Use fewer, clearer rhythmic events rather than imitating acoustic volume with harder strumming.

Voicing note sets

  • With electric guitar and piano, keep sustained chord tones out of the lead register. Use fewer, clearer rhythmic events rather than imitating acoustic volume with harder strumming.

Keep the accompaniment clear

  • First rehearse the specific phrase entry and release described above; add a chord pulse only when it supports that phrase.
  • Do not change the composition credit simply because a cover is labelled Django Reinhardt. The precise historical take is not inferred from the video title.

Practice room

60–90 quarter-note BPM for short study fragments; slow the source as needed

Your assignment

Take one short phrase from the retained solo study and sing its rhythm before playing. Repeat it with fewer notes over a slow, independently checked accompaniment, preserving its final target and silence.

Loop these changes

  • Take one short phrase from the retained solo study and sing its rhythm before playing. Repeat it with fewer notes over a slow, independently checked accompaniment, preserving its final target and silence.
  • Return to the selected recording after each short loop. Confirm the entry, release and next phrase cue before extending the passage.

Metronome

Use a quiet quarter-note click for short loops. Keep the preceding rest and the next entry in the loop; remove the click briefly to test internal time.

Transposition

  • After learning the chosen fragment and its actual harmony, move that fragment to one nearby key by naming the target notes. Do not transpose an unverified progression.

At the session

Confirm the composition identity, concert key and complete arrangement before calling the tune. Agree pickup and ending together.

Start together

  • Use the chosen recording’s entry cue only after checking its phrase length.

Finish together

  • Agree a plain final arrival and a visible cutoff; do not assume a live video’s tag is universal.

Do not change the composition credit simply because a cover is labelled Django Reinhardt. The precise historical take is not inferred from the video title.

  • Do not change the composition credit simply because a cover is labelled Django Reinhardt. The precise historical take is not inferred from the video title.

Arranging the tune

Solo guitar

Begin with the melody alone, then add only independently established bass arrivals. With electric guitar and piano, keep sustained chord tones out of the lead register. Use fewer, clearer rhythmic events rather than imitating acoustic volume with harder strumming.

Trio or larger group

With electric guitar and piano, keep sustained chord tones out of the lead register. Use fewer, clearer rhythmic events rather than imitating acoustic volume with harder strumming.

Vocal considerations

Follow the song’s breathing where a vocal version exists. Establish the singer’s key independently; lyrics are not reproduced here.

Sources & credits

This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.

Djangopedia full discography ↗

Reissue publisher booklet and track listing ↗

  • Source-attributed title, credit and recording context; conflicts are stated rather than treated as resolved.
Photograph credit & rights

William P. Gottlieb / Library of Congress / restoration by Adam Cuerden · Aquarium, New York, N.Y. · circa November 1946

Gottlieb collection photographs entered the public domain on February 16, 2010, according to the source file page.

Photograph source ↗ · Rights details ↗

Used to illustrate Django’s life; no connection to this tune’s recording session is claimed.

Research & rights notes
  • Do not change the composition credit simply because a cover is labelled Django Reinhardt. The precise historical take is not inferred from the video title.
  • Exact video-to-recording matrix/take associations are not established. Historical rows remain inherited evidence.
  • Complete chart, concert key and full form are not independently verified; none has been invented to increase coverage.
  • No qualifying tune-specific backing was confirmed in the bounded search.