A listening-led blues guide focused on articulation, register and call-and-response.
If you study one thing
Transcribe a single call-and-response pair.
William P. Gottlieb / Library of Congress Aquarium, New York, N.Y. · circa November 1946 · Photo credits
Chart keyNot established
FormNot established
FeelSwing
Meter4/4
MusicDjango Reinhardt
Guide coverage8 / 12 sections present
Owner content reviewed — 2026-10-18T23:08:28Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.
See what is here and what is missing
✓ Recording evidence
○ Key & form
○ Chart
✓ History
✓ Playing notes
✓ Practice plan
○ Backing track
✓ Django recording
○ Django solo study aid
✓ Photograph
✓ Sources
✓ Difficulty
Django's Recordings
Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.
1 historical recording entries · source text preserved
Entry
Year
Recording / session / release evidence
Listen
01
1947
Django's Blues,ST 2108-1 ,"Fremeaux FA 314, Classics 1046, Verve 835 418-1, Kardum GLO 139","18/7/47 - Paris - QHCF - Django Reinhardt (elg), Hubert Rostaing (cl), Eugene Vees (g), Emmanuel Soudieux (b), Andre Jourdan (d)"
—
A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.
History & Listening
The distributor-supplied recording credits Reinhardt. The archive’s recording evidence remains intact, while an independently verified complete chart and new study resources remain gaps.
Tune details
Music: Django Reinhardt
Documented in archive: 1947
Original key: Not established
Study level: Intermediate; transcribe a single call-and-response pair
Melody & head
A listening-led blues guide focused on articulation, register and call-and-response.
Do not substitute another tune labelled Django Blues without checking the melody and recording identity.
Study the inherited Django recording evidence
A listening-led blues guide focused on articulation, register and call-and-response.
Session evidence
Django's Blues,ST 2108-1 ,"Fremeaux FA 314, Classics 1046, Verve 835 418-1, Kardum GLO 139","18/7/47 - Paris - QHCF - Django Reinhardt (elg), Hubert Rostaing (cl), Eugene Vees (g), Emmanuel Soudieux (b), Andre Jourdan (d)"
Chart & Form
Listen for the relationship between a blues inflection and the underlying dominant chord. Begin with the third and flat seventh of each verified harmony, then compare those stable tones with expressive bends and slides.
A complete chord chart has not yet been verified. The exercises are editorial listening and practice suggestions, not a replacement score.
No readable chord chart has been added for this title.
Play along
No backing track has been added.
Study Django's Solo
Performed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.
No Django solo study aid yet. Know a useful resource — or want to record a study of this solo?
Similar tunes
Follow a shared key, a harmonic idea or a familiar form. Keys refer to this site’s chart editions; other recordings may use a different key.
Related chord movement
No sufficiently supported harmonic comparison has been added yet.
Same chart key
No match is established in the current chart metadata.
Same form
No match is established in the current chart metadata.
Behind the photograph
Editorial reuse of a documented public-domain Gottlieb photograph; not a photograph of this tune or recording session. Six photographs are each proposed for two Stage 6D guides.
Part of William P. Gottlieb’s documented Aquarium photographs in New York, circa November 1946. The catalogue supplies the location and approximate date; this is not evidence of a particular tune being played.
Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.
Notable Gypsy Jazz performances are being curated.
Improvisation
Target notes & voice leading
Listen for the relationship between a blues inflection and the underlying dominant chord. Begin with the third and flat seventh of each verified harmony, then compare those stable tones with expressive bends and slides.
Sing the destination note before connecting it to the preceding chord.
Pitch choices
Begin with the named chord tones. Add passing notes only after the melody and cadence are secure.
Transcribe a single call-and-response pair. Play the response in three registers while preserving its rhythm and final resolution.
Comping & voicings
Keep a firm but quiet pulse; allow the soloist’s articulation to create the intensity. Avoid filling every rest with a dominant substitution.
Voicing note sets
Keep a firm but quiet pulse; allow the soloist’s articulation to create the intensity. Avoid filling every rest with a dominant substitution.
Keep the accompaniment clear
First establish an even pulse; add rhythmic variation only when the melody leaves space.
Do not substitute another tune labelled Django Blues without checking the melody and recording identity.
Practice room
80–120 bpm, then increase gradually
Your assignment
Transcribe a single call-and-response pair. Play the response in three registers while preserving its rhythm and final resolution.
Loop these changes
Transcribe a single call-and-response pair. Play the response in three registers while preserving its rhythm and final resolution.
Metronome
Count quarter notes first. Then place the click on beats 2 and 4 at half the click rate, keeping the phrase length unchanged.
Transposition
Move one short cadence to a nearby key by naming its chord tones, then return to the chosen study key.
At the session
Confirm the chosen arrangement key; Confirm the complete form. Agree the arrangement, pickup and ending before counting in.
Start together
Count a clear tempo and use the final cadence of the agreed arrangement.
Finish together
Cue the final tonic together; agree any tag before starting.
Do not substitute another tune labelled Django Blues without checking the melody and recording identity.
Do not substitute another tune labelled Django Blues without checking the melody and recording identity.
Arranging the tune
Solo guitar
Keep the melody uppermost and begin with a single bass note under each harmony. Keep a firm but quiet pulse; allow the soloist’s articulation to create the intensity. Avoid filling every rest with a dominant substitution.
Trio or larger group
Keep a firm but quiet pulse; allow the soloist’s articulation to create the intensity. Avoid filling every rest with a dominant substitution.
Vocal considerations
No vocal arrangement is prescribed; use the instrumental melody as the phrasing reference.
Sources & credits
This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.
