Tune details
Music: Django Reinhardt
Documented in archive: 1947
Original key: Not established
Study level: Intermediate listening study; advanced source and arrangement awareness
The archive preserves July and November 1947 claims for Folie à Amphion, offering a comparison within Django's electric period. Listen for the contour of a recurring guitar phrase and how the clarinet occupies the neighbouring register.
Transcribe the rhythm of one short guitar response without pitches.

Owner content reviewed — 2026-10-21T01:13:19Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.
Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.
Django Reinhardt
source-described; accuracy not independently verified
Uploader identifies this as Django Reinhardt’s performance; recording date and take require comparison with the discography.
| Entry | Year | Recording / session / release evidence | Listen |
|---|---|---|---|
| 01 | 1947 | Folie a Amphion,ST 2089-3 ,"Fremeaux FA 314, Classics 1001,Verve 835 418-1","6/7/47 - Paris - QHCF - Django Reinhardt (elg), Hubert Rostaing (cl), Joseph Reinhardt (g), Ladislas Czabanyck (b), Andre Jourdan" | — |
| 02 | 1947 | Folie a Amphion,"Fremeaux FA 315, Vogue 228E 6008, Vogue 668003-3, Kardum GLO 139","8-13/11/47 - Paris - Souvenirs de Django Reinhardt - Django Reinhardt (elg), Gerard Leveque (cl), Eugene Vees (g), Emmanuel Soudieux (b), Andre Jourdan (d)" | — |
A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.
The archive preserves July and November 1947 claims for Folie à Amphion, offering a comparison within Django's electric period.
Music: Django Reinhardt
Documented in archive: 1947
Original key: Not established
Study level: Intermediate listening study; advanced source and arrangement awareness
Listen for the contour of a recurring guitar phrase and how the clarinet occupies the neighbouring register. Source-attributed credits: Django Reinhardt in the publisher track lists.
Establish the actual melody and harmonic arrivals before choosing substitutions. Transcribe the rhythm of one short guitar response without pitches. Play it on one string, then restore only the pitches you can hear confidently.
No verified complete chart or concert key is supplied. Any inherited raw notation is retained without silently repairing it.
No readable chord chart has been added for this title.
No backing track has been added.
Performed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.
No Django solo study aid yet. Know a useful resource — or want to record a study of this solo?
Follow a shared key, a harmonic idea or a familiar form. Keys refer to this site’s chart editions; other recordings may use a different key.
No sufficiently supported harmonic comparison has been added yet.
No match is established in the current chart metadata.
No match is established in the current chart metadata.
This image is an editorial illustration; a connection to this recording has not been established.
Original AI-assisted editorial artwork inspired by the tune’s mood; not a documented historical scene.
Original AI-assisted illustration created for Djangopedia
Illustration credits & provenance →Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.
Pimp the Pop
Public, processed and embeddable when checked; creator-described identity.
Cordes Sauvages, creator-labelled live performance at the 18th Django Reinhardt Memorial, Augsburg, 30 April 2010. Modern interpretation, not a historical Django recording.
If playback is unavailable, use the source link.
Transcribe the rhythm of one short guitar response without pitches. Play it on one string, then restore only the pitches you can hear confidently.
Keep a short, quiet accompaniment pattern beneath the lead, and stop it at the phrase's release.
Begin short phrase work around 60–90 quarter-note BPM; adapt to the verified source
Transcribe the rhythm of one short guitar response without pitches. Play it on one string, then restore only the pitches you can hear confidently.
Use a quiet quarter-note click for short loops. Keep the preceding rest and the next entry in the loop; remove the click briefly to test internal time.
Confirm the composition identity, concert key and complete arrangement before calling the tune. Agree pickup and ending together.
Different issue dates and upload labels do not establish that two videos contain different takes.
Begin with the melody alone, then add only independently established bass arrivals. Keep a short, quiet accompaniment pattern beneath the lead, and stop it at the phrase's release.
Keep a short, quiet accompaniment pattern beneath the lead, and stop it at the phrase's release.
Follow the song’s breathing where a vocal version exists. Establish the singer’s key independently; lyrics are not reproduced here.
This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.
Djangopedia full discography ↗
Reissue publisher booklet and discography ↗
Reissue publisher booklet and discography ↗
Original AI-assisted illustration created for Djangopedia
Original AI-assisted editorial artwork inspired by the tune’s mood; not a documented historical scene.
Generated with the native image-generation tool on 2026-10-21; original editorial artwork, not a historical photograph.
Prompt: Use case: stylized-concept. Asset: one original Djangopedia tune illustration, landscape 1536x1024, 3:2. Title context, do not write any words: Folie a Amphion. Scene: A Django-like guitarist and clarinetist perch on two large angular stone blocks while a third musician attempts to balance an absurdly small music stand. A witty rehearsal puzzle, no mythological costume. Style: witty 1950s cartoon serigraph. Confident chunky contours; simplified flat separate ink shapes; lively mildly exaggerated adult head/hand proportions, humorous posture, strong asymmetric composition. Dry, graphic and unsentimental. Limited palette: deep navy, vermilion, sage and unprinted cream. Controlled screen-print misregistration, occasional dry ink texture and generous clean paper; no gradients or glossy digital shading. Faces: Django-like guitarist uses documented swept-back dark hair, small pencil moustache and expressive mature face; early guitar-banjo scenes use a younger adult. Supporting musicians are distinct individuals in historically informed 1920s–1940s Paris jazz-circle clothing. No ethnic caricature, racial stereotypes or costumes. Faces, instrument bodies and hands remain within frame, with convincing basic instrument anatomy. No text, letters, numerals, notation, logos, watermark, decorative border, photorealism, dreamy sunset, hearts or romantic haze. Imagined editorial scene, not a documented event. Entirely original composition; do not reproduce any artist's existing print.