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Player guide

Solitude

An Ellington ballad for making a few notes carry a complete phrase.

If you study one thing

Improvise an eight-bar response using no more than six attacks.

Original jazz serigraph illustration for solitude
Original AI-generated illustration for Djangopedia; not a historical photograph.
Illustration credits
Chart keyNot established
FormNot established
FeelBallad / gentle swing
Meter4/4
MusicDuke Ellington
Guide coverage9 / 12 sections present

Owner content reviewed — 2026-10-18T23:08:26Z by admin. Coverage measures presence, not accuracy. Content review does not certify rights or musical perfection.

See what is here and what is missing
  • ✓ Recording evidence
  • ○ Key & form
  • ○ Chart
  • ✓ History
  • ✓ Playing notes
  • ✓ Practice plan
  • ✓ Backing track
  • ✓ Django recording
  • ○ Django solo study aid
  • ✓ Illustration
  • ✓ Sources
  • ✓ Difficulty

Django's Recordings

Django recordings for this tune. Uploader dates and take labels remain source claims; only an evidenced exact association enables a row’s Listen control.

1 historical recording entries · source text preserved
EntryYearRecording / session / release evidenceListen
011937Solitude,OLA 1706-1 ,"Fremeaux FA 305, Classics 748, Affinity 1003, EMI 780671-2, Jazz Archives ZET 752, Mosaic MD6-190(6 CD Set).","21/4/37 - Paris - QHCF - Stephane Grappelly (v), Django Reinhardt, Pierre Ferret, Marcel Bianchi (g), Louis Vola (b)"—

A dash means no video has been associated with this exact historical recording. Tune-level listening resources remain available above.

History & Listening

Ellington’s 1934 composition later received lyrics by DeLange and Mills. Its reflective character translates well to a small acoustic ensemble, as the proposed Winterstein and Titoks performances demonstrate.

Tune details

Music: Duke Ellington

Words: Eddie DeLange, Irving Mills

Source-attributed publication / composition: 1934

Original key: Not established

Study level: Intermediate; improvise an eight-bar response using no more than six attacks

Melody & head

  • An Ellington ballad for making a few notes carry a complete phrase.
  • Sparse playing still needs a counted form; do not let silence become uncertainty.

Study the inherited Django recording evidence

An Ellington ballad for making a few notes carry a complete phrase.

Session evidence

Solitude,OLA 1706-1 ,"Fremeaux FA 305, Classics 748, Affinity 1003, EMI 780671-2, Jazz Archives ZET 752, Mosaic MD6-190(6 CD Set).","21/4/37 - Paris - QHCF - Stephane Grappelly (v), Django Reinhardt, Pierre Ferret, Marcel Bianchi (g), Louis Vola (b)"

Study the proposed backing arrangement ↗

Use the melody’s held tones as harmonic checkpoints. Resolve a neighbouring chromatic note only after hearing whether the accompaniment has changed beneath it. Check the video key before playing with the chart.

Chart & Form

Use the melody’s held tones as harmonic checkpoints. Resolve a neighbouring chromatic note only after hearing whether the accompaniment has changed beneath it.

A complete chord chart has not yet been verified. The exercises are editorial listening and practice suggestions, not a replacement score.

No readable chord chart has been added for this title.

Play along

Study Django's Solo

Performed studies, transcriptions, TAB, notation and lessons for studying Django’s solo. Inclusion does not certify note-for-note accuracy.

No Django solo study aid yet. Know a useful resource — or want to record a study of this solo?

Similar tunes

Follow a shared key, a harmonic idea or a familiar form. Keys refer to this site’s chart editions; other recordings may use a different key.

Related chord movement

No sufficiently supported harmonic comparison has been added yet.

Same chart key

No match is established in the current chart metadata.

Same form

No match is established in the current chart metadata.

Behind the illustration

Original jazz serigraph illustration for solitude

Original AI-assisted editorial artwork inspired by the tune’s mood. It does not depict a documented historical event.

Original AI-generated illustration for Djangopedia; not a historical photograph.

Illustration credits & provenance →

Notable Gypsy Jazz Performances

Selected performances by notable Gypsy Jazz players and ensembles. Inclusion is editorial and does not imply an objective popularity ranking.

Improvisation

Target notes & voice leading

  • Use the melody’s held tones as harmonic checkpoints. Resolve a neighbouring chromatic note only after hearing whether the accompaniment has changed beneath it.
  • Sing the destination note before connecting it to the preceding chord.

Pitch choices

  • Begin with the named chord tones. Add passing notes only after the melody and cadence are secure.

Improvise an eight-bar response using no more than six attacks. Record it and check whether the rests preserve a clear phrase shape.

Comping & voicings

Keep a slow four gentle and even. Let the bass define the pulse while the guitar supplies only the necessary colour.

Voicing note sets

  • Keep a slow four gentle and even. Let the bass define the pulse while the guitar supplies only the necessary colour.

Keep the accompaniment clear

  • First establish an even pulse; add rhythmic variation only when the melody leaves space.
  • Sparse playing still needs a counted form; do not let silence become uncertainty.

Practice room

55–90 bpm

Your assignment

Improvise an eight-bar response using no more than six attacks. Record it and check whether the rests preserve a clear phrase shape.

Loop these changes

  • Improvise an eight-bar response using no more than six attacks. Record it and check whether the rests preserve a clear phrase shape.

Metronome

Count quarter notes first. Then place the click on beats 2 and 4 at half the click rate, keeping the phrase length unchanged.

Transposition

  • Move one short cadence to a nearby key by naming its chord tones, then return to the chosen study key.

At the session

Confirm the chosen arrangement key; Confirm the complete form. Agree the arrangement, pickup and ending before counting in.

Start together

  • Count a clear tempo and use the final cadence of the agreed arrangement.

Finish together

  • Cue the final tonic together; agree any tag before starting.

Sparse playing still needs a counted form; do not let silence become uncertainty.

  • Sparse playing still needs a counted form; do not let silence become uncertainty.

Arranging the tune

Solo guitar

Keep the melody uppermost and begin with a single bass note under each harmony. Keep a slow four gentle and even. Let the bass define the pulse while the guitar supplies only the necessary colour.

Trio or larger group

Keep a slow four gentle and even. Let the bass define the pulse while the guitar supplies only the necessary colour.

Vocal considerations

Choose a comfortable singing key and transpose the accompaniment as a whole; lyrics are not reproduced here.

Sources & credits

This player guide combines inherited recording evidence and editorial study notes. Musical study notes are editorial suggestions; compare them with the recording.

Djangopedia full discography ↗

Credit / historical reference ↗

  • Source-attributed credits and historical context; not an exact take mapping.

Inherited Djangopedia chart and recording evidence

  • Existing chart and discographic rows; retained as inherited evidence.
Illustration credit & provenance

Original AI-generated illustration for Djangopedia; not a historical photograph.

Original AI-assisted editorial artwork inspired by the tune’s mood. It does not depict a documented historical event.

Generated with the native image-generation tool on 2026-10-18; original editorial artwork, not a historical photograph.

Prompt: Original horizontal 1536x1024 3:2 editorial serigraph for jazz tune solitude. A lone anonymous guitarist seated on a quiet park bench beneath a broad angular tree, expansive empty evening sky. Use Stage 6C bold simplified angular silhouettes, asymmetrical negative space, flat limited inks sage, midnight navy, ivory, muted orange, handmade rough ink edges and tactile paper grain. Whimsical restrained mid-century jazz screen-print design. No gradients, no photorealism, no text/letters, no border. Original imagined scene, not a historical depiction. Heads and instruments fully inside frame.

Research & rights notes
  • Exact YouTube-to-matrix/take associations are not established. Historical rows remain inherited archive evidence.
  • No complete chart is present in the inherited archive. This is a listening-led study guide; confirm a reliable arrangement before a jam.
  • No chart key is asserted; choose and verify the key of the selected arrangement.
  • No qualifying new Django solo recreation was confirmed in this bounded search.